Category Archives: horror

Armand’s Summer Clearance Event! $5 Print Books!


I’ve just come back from back to back conventions, Scares That Care Weekend in VA and Authors After Dark in GA. Both events went well but I realized something. OK, let me back up a second and be honest… I always knew I had this problem but until the past few weeks I never realized how bad my problem was… I pack enough books for every author in the room to sell.

I lost count (and too lazy to look) but I believe I am well over 50 different print books with my name in there somewhere. No way I should be able to carry a few copies of each, yet every time I go to a con I bring 3 full crates and at least 2 full boxes with me. Insanity! 

So… I decided to do something drastic about it. Actually, my wife forced me to do something intelligent about it, especially since certain print books are out of print or have had an update, etc. 

I’m going to sell every book listed below for the earth-shattering low price of $5 each plus $4 shipping first book and $1 each additional. Sorry, only available for U.S. buyers  AND I’ll even sign them because I’m really a nice guy at heart. 

Here are the print books and the number next to each is how many are available, so get your orders in asap. I will update this page as books are sold:


Highway To Hell (original naughty version) – 2 left

Highway To Hell 2 – 1

Darlene Bobich: Zombie Killer (out of print) – 2

Dying Days 1 through 5 (original covers) – 1 of DD1, 8 of DD2, 16 of DD3, 9 of DD4 and 7 of DD5


Dying Days: Siege of European Village – SOLD OUT

Dying Days: Siege 2 – 9

Undead Tales anthology – SOLD OUT

Undead Tales 2 anthology – 1

Dying Days: Origins – 2

Dying Days: Origins 2 – 3

Still Dying – 2

Still Dying 2 – SOLD OUT


Zombie Writing! – 5

Creeping Death (out of print short story collection) – 5

Metal Queens: Models 2 – 6

Belford Stories (original version) – 10

Quick Bites of Flesh (out of print) – 1

Zombie Tea Party – SOLD OUT

Skeletal Remains anthology – 1

Rymfire Erotica anthology – 2

  *   *   *   *   *

There ya go! 24 different titles to choose from. When they’re gone they’re gone! I won’t be printing them again. Some are still available through Amazon but at the normal $9.99 – $12.99 price and those aren’t signed, either. 

How can you get your hands on these copies? Simple. Send me an email at  armandrosamilia (at) gmail (dot) com and let me know which signed print books you’re interested in along with your PayPal address. I will send you an invoice and get your book(s) ready to ship. 

Any questions?


Reblog: Armand Rosamilia Interview for ThrillWriting


Fiona Quinn interviews me about podcasting and books and stuff!


YOUR Favorite Horror Books – May 31st Edition


Sadly, this will be the last installment of what I thought would be a fun exercise in helping other authors… not many people suggested books and I’m not going to ‘remind’ people to get their suggestions in. Also, far too many authors tried to suggest their own books or posted on the comments even though I said not to. Once some authors saw it was to help other authors and not themselves they tuned out. Very sad. 

Here are the final suggestions. I want to thank everyone who played along and tried to help authors as well as have some fun with this:


Based on the best-selling, award-winning graphic novel series Locke & Key – written by acclaimed suspense novelist Joe Hill (NOS4A2, Horns) and illustrated by Gabriel Rodriguez – this multicast, fully dramatized audio production brings the images and words to life.

A brutal and tragic event drives the Locke family from their home in California to the relative safety of their ancestral estate in Lovecraft, Massachusetts, an old house with powerful keys and fantastic doors that transform all who dare to walk through them. As siblings Tyler, Kinsey, and Bode Locke discover the secrets of the old house, they also find that it’s home to a hate-filled and relentless creature that will not rest until it forces open the most terrible door of them all….

Featuring performances by Haley Joel Osment (Entourage, The Sixth Sense), Tatiana Maslany (Orphan Black), Kate Mulgrew (Orange Is the New Black, Star Trek: Voyager), Joe Hill, Gabriel Rodriguez, and Stephen King (The Stand, 11-22-63), as well as a cast of more than 50 voice actors, this audio production preserves the heart-stopping impact of the graphic novel’s astounding artwork through the use of richly imagined sound design and a powerful original score.

*Locke & Key contains explicit language and adult situations.

(suggested by Malinda Gibson, who said: it scared the be-jesus outta me)

*   *   *   *   *


Human flesh tacos, hardcore wrestling, and angry cannibal Mexicans…
Welcome to the Border!

The no-man’s land on the United States/Mexico border is the perfect place for getting away with any crime. With the right connections and with the right amount of money you can run drugs, smuggle people, commit murder, and do much worse.

Felix and Marta came to Mexico to film a documentary on illegal immigration. When Marta suddenly goes missing, Felix must find his lost love in the small border town. A dangerous place housing corrupt cops, borderline maniacs, drug gangs and something much worse… something to do with a strange Mexican food cart…

From Shane McKenzie, one of the most imaginative new voices in horror comes a south-of-the-border Texas Chainsaw Massacre.

(suggested by Frank Edler, who said: MUERTE CON CARNE is easily the best horror story I’ve read in quite some time. Author Shane McKenzie evokes the brutal spirit of Richard Laymon and finishes with an ending so dark it makes the bleakest ending of a Brian Keene novel look like the Zip-A-Dee-Doo-Dah finale in Song of the South. MUERTE CON CARNE is tacos, luchadores and long pig and that’s just the fun parts!)

*   *   *   *   *


Vivienne realizes she is dying. All she wants to do is see her daughter Giselle one last time and apologise. But Giselle no longer exists and it is Crow, a gender-queer anarchist, who returns to a family home that is plagued by ghosts and violent memories.

With the help of a shaman ze met in a dream, Crow unravels terrifying family secrets, hoping to find closure at last. But can anyone survive the shadows that lurk behind these fairy tales?

(suggested by Jack Wallen)

*   *   *   *   *

Armand’s Bonus Suggestion


They’re coming. They are a race of sadistic spirits known as the Curburide, and they are about to arrive in our world, bringing with them horrors beyond imagination. The secret to summoning — and controlling — them has fallen into the hands of a beautiful, sexy and dangerously insane woman.

Ariana has dedicated her life to unleashing the demons in our realm through a series of human sacrifices, erotic rituals of seduction and slaughter. As she crosses the country, getting ever closer to completing her blood-drenched mission, only three figures stand in her way: Joe, an unwilling hero who has seen the horrors of the Curburide before, Alex, a burgeoning witch … and a spiteful demon with plans of his own.

(suggested by Armand who said: It’s really hard to pick just one of his books. Great author. Highly recommended. One of my favorites)

*   *   *   *   *

Once again, thank you for everyone who suggested a book and played by the rules. I really do appreciate it!


YOUR Favorite Horror Books – May 24th 2016 Edition


This summer I’ll be doing something I’ve been meaning to do for a long time… I want to recognize some great books in the horror fiction field. I also want to find some new books I might’ve missed myself, so…


From the powerful imagination of a new horror master comes a bone-chilling tale set in a small town where good and evil are joined in a terrifying, deadly battle. . .

Evil Endures

Once an idyllic Pennsylvania village, Pine Deep awoke one morning to find itself bathed in a massive bloodletting. Twice in thirty years the townsfolk have endured the savage hungers of a murderous madman. . .but if the residents think the death of serial killer Karl Ruger put an end to the carnage, they’re dead wrong.

The Nightmare Never Ends

Bodies mutilated beyond description, innocents driven to acts of vicious madness. A monstrous evil is preying on the living–and the dead–and turning the quiet little town into hell on earth. Their only hope is to find the source. But the secrets that lurk in the heart of Pine Deep are twisted into its very roots. This time the townspeople aren’t just fighting for their lives, but for their very souls…

(suggested by Nina D’Arcangela)

*   *   *   *   *


For over two decades, Detective Ray Truman has been searching for the killer or killers who have terrorized Portvale. Headless corpses, their bodies mutilated and posed, have been turning up all over the industrial district near the docks. The remains of young female prostitutes have been the killer’s victims of choice, but now other districts are reporting the gruesome discovery of decapitated bodies. It seems the killer has expanded his territory as more ‘nice girls’ feel the wrath of his terrible rage. This horrifically disturbing tale of a family tree of evil will embed itself in the mind of the reader, long after the last page has been turned. A crime thriller in the vein of other power-packed thrillers like Thomas Harris’s ‘Silence of the Lambs’ and James Ellroy’s ‘Killer on the Road.’

Meet the Cunninghams . . .
A family bound by evil and the blood they have spilled. The large lodging-house they live in and operate on Artaud Avenue reeks of death and the sins that remain trapped beneath the floorboards.

Meet Caleb Cunningham . . .
Caleb is a disturbed young man whose violent father is a suspected serial killer and mother, an insane alcoholic. After his Father’s suicide, Cunningham’s disturbing fantasy-life becomes reality as he begins his killing spree in earnest. His identical twin brother Charlie is to be released from an asylum and all hell is about to break loose when the brothers combine their psychopathic talents. Eventually stepping out from the shadows of his murderous forebears, Caleb puts in motion his own diabolical plan to reveal himself and his ‘art’ to the world. He’s a true aesthete. An artist of death. His various ‘installations’ have not received the status he feels they deserve, so Caleb is expanding his ‘canvas.’

Meet Ray Truman . . .
A tragic cop whose personal demons won’t let him rest. Overworked and underpaid, Truman is tenacious as a pit-bull. He won’t rest ‘til he’s brought to justice Portvale’s infamous serial killer. His battle with his own demons gives him the strength to chase the shadows and to cut corners when necessary, as he embarks on the hunt of his life. His search leads him to the Cunningham’s house of horrors. What he finds there will ultimately lead him to regret ever meeting Caleb Cunningham and the deviant family that spawned him. The hunter becomes the hunted as Truman digs deeper into the abyss that is the horrifying mind of the most dangerous psychopath he has ever met.

(suggested by Pheebz Jackson)

*   *   *   *   *


Tormented by grief after his four-year-old daughter is murdered, Charles hears sinister whispers as he tries to discover the truth about Naomi’s death. But long-buried secrets threaten to take Charles to a place where he could lose his very soul. Aycliffe is a pseudonym for Daniel Easterman, the bestselling author of Brotherhood of the Tomb.

(suggested by Noelle Kelly)

*   *   *   *   *


“The painting forced him to move back with such suddenness, he nearly fell over the side of the old wooden railing. It depicted a grisly scene, as if your worst nightmare had been splattered on canvas. Despite his mind screaming to look away, he could not avert his eyes” – Ancient

Keyport Cthulhu

Five stories with a Lovecraftian feel to them… set in the New Jersey fishing village of Keyport, where the Esoteric Order of Dagon has been planning for the awakening of the Deep One all these years…


Includes two bonus stories, the steampunk tale “Rats In The Cellars” and “Cthulhunicorn” co-written with Katelynn Rosamilia

(suggested by Chuck Buda… and who can blame him, right?)

 *   *   *   *   *

Armand’s Bonus Suggestion


Roaring south in a black Cadillac, John Smith is on the road trip from Hell through a nightmarish version of Americana, a place of rotting hollows and dusty crossroads, slaughterhouses and haunted trains. He doesn’t know how he woke up after sitting down in the electric chair, where he got the black suit with the slit up the back or even the cigarettes in his pocket. All he knows is that there is a woman guarding a great secret and he’s supposed to kill her.

(suggested by Armand Rosamilia, who said: Brilliantly written and the story will have you guessing at each page turn)

I am opening this blog up to suggestions from YOU!

I want YOU to give me one horror book suggestion you loved. It doesn’t have to be new. It doesn’t have to be a certain length or within a certain subgenre of horror (although I won’t be taking zombie or post apoc books on this website because I’ll be doing the same thing on my other site, each week for that!) It just has to be something you liked enough to want to let the world know. Or the readers of this blog. 

You CANNOT CANNOT CANNOT suggest your own book. That is super tacky and frowned upon by management. 

I’ll be picking 3-5 each week and I’ll post it up each Tuesday on this site and the zombie/post apoc every Thursday. It’s free of charge. It’s just a way for me to not miss what is out there, too. Hopefully it will become a place where horror readers will enjoy some new suggestions, too. I’ll even let people know you proudly suggested it, too. 

Send me an email with the title/author and Amazon link to the book and I’ll do the rest. Simple as that!

armandrosamilia (at) gmail (dot) com

Armand Rosamilia

YOUR Favorite Horror Books – May 10th 2016 Edition


This summer I’ll be doing something I’ve been meaning to do for a long time… I want to recognize some great books in the horror fiction field. I also want to find some new books I might’ve missed myself, so…


Two men argue in the low light of one of nineteenth-century New York’s vilest bars. One is an aristocrat, clearly slumming, while the other, in appearance no better than the gutter-trash around him, is the finest author of his age. The wealthy man is Hudson Usher, come to berate Edgar Allen Poe for using Usher’s family history as fodder for his most famous story. The house of Usher has not fallen, Hudson boasts. It will endure into the centuries.
One hundred and fifty years later, the Usher line persists. The newest heir is Rix Usher, a hack horror writer whose ailing father has just called him back to the family’s North Carolina estate. To become the new Usher patriarch, Rix must confront a Gothic mystery more twisted than anything even Poe could have imagined.
(suggested by Nina D’Arcangela)
*   *   *   *   *

Cas Lowood has inherited an unusual vocation: He kills the dead.So did his father before him, until he was gruesomely murdered by a ghost he sought to kill. Now, armed with his father’s mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.

Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he’s never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.

Yet she spares Cas’s life.

(suggested by Loren Rhoads, who said:  I finished reading Anna Dressed in Blood last week and it was so much fun!  It’s a YA about a teenaged ghost killer who falls in love with a ghost)

*   *   *   *   *


A journey to the past … where a serial killer awaits.

Some believe time is a curve. The days behind us fall from view as we move forward, rounding the bend to discover what lies in store for us next. Nothing is gone … it’s merely back there, accessible again if we only knew how to reverse course.

Others believe that time is a straight line that is obliterated as our present is created, existing only in our memories … gone forever, never to be seen or heard from again.

Luke McCabe wishes the latter were true. He really does. He never wanted to be a serial killer. He never wanted to be The Cowboy.

Take a ride in Luke’s restored, 1958 Cadillac Sixty Special Fleetwood. Buckle in and feel the desert ground beneath your wheels. Only then will you be fully equipped with the knowledge to decide how time really unfolds.

One recommendation: The Cadillac named Adeline holds dark secrets.

Stay clear of her trunk.

(suggested by Giles Batchelor, who said: I know you know Eric for his Zombie/Apoc work but this stand alone horror tale is one of his best.  The story to me is reminiscent of some of the Stephen King books I devoured as a youngster.  It has well developed main character and an interesting twisty plot that has you on the edge of your seat towards the end)

*   *   *   *   *


Hodgson considered his three novels, “The House on the Borderland”, “The Boats of the Glen-Carrig” and “The Ghost Pirates” a trilogy. They are not sequels and not related, except for their emphasis on the supernatural beings, who came, perhaps, from another dimension.
“The Ghost Pirates”, the third book of this trilogy, was one of H.P. Lovecraft’s favorite works.

(suggested by Morgan Griffith, who said: My pick would be an old one, but a book that heavily influenced my love of horror literature, although it might also be classified as dark fantasy. I choose William Hope Hodgson’s “The House on the Borderland”. The imagination and sense of adventure and dread is unique and withstands time. I have read it more than once, and it remains a favorite. This version also includes two other great tales— Boats of the Glen-Carrig and The Ghost Pirates. Hodgson also excelled with his dark tales of the sea)

*   *   *   *   *

damnation game

Marty Strauss, a gambling addict recently released from prison, is hired to be the personal bodyguard of Joseph Whitehead, one of the wealthiest men in the world. The job proves more complicated and dangerous than he thought, however, as Marty soon gets caught up in a series of supernatural events involving Whitehead, his daughter (who is a heroin addict), and a devilish man named Mamoulian, with whom Whitehead made a Faustian bargain many years earlier, during World War II.

As time passes, Mamoulian haunts Whitehead using his supernatural powers (such as the ability to raise the dead), urging him to complete his pact with him. Eventually Whitehead decides to escape his fate after a few encounters with Mamoulian and having his wife, former bodyguard, and now his daughter Carys taken away from him. With hope still left to save Carys, Marty Strauss, although reluctant to get involved in the old man Whiteheads deserved punishment, decides to get involved and attempt to save the innocent gifted addict from being another victim to the damnation game.

(suggested by Misha Burnett)

*   *   *   *   *

Armand’s Bonus Suggestion


The quaint Florida town of St. Augustine is a magnet for tourists. But one site is off-limits even for the locals.

Built on the site of an ancient Indian village, Tolomato Cemetery has been closed for years. But now a slaughtered Wiccan priestess has been discovered on the grounds. Human remains have been found in a nearby Dumpster. And a cryptic message is haunting a woman’s sleepless nights–a warning that the doors between two worlds have been opened.

Whatever’s buried in Tolomato Cemetery is more than legend.

It’s alive.

(suggested by Armand, who said: just a phenomenal book by a phenomenal writer. A creepy, wonderful novel)

*   *   *   *   *

I am opening this blog up to suggestions from YOU!

I want YOU to give me one horror book suggestion you loved. It doesn’t have to be new. It doesn’t have to be a certain length or within a certain subgenre of horror (although I won’t be taking zombie or post apoc books on this website because I’ll be doing the same thing on my other site, each week for that!) It just has to be something you liked enough to want to let the world know. Or the readers of this blog. 

You CANNOT CANNOT CANNOT suggest your own book. That is super tacky and frowned upon by management. 

I’ll be picking 3-5 each week and I’ll post it up each Tuesday on this site and the zombie/post apoc every Thursday. It’s free of charge. It’s just a way for me to not miss what is out there, too. Hopefully it will become a place where horror readers will enjoy some new suggestions, too. I’ll even let people know you proudly suggested it, too. 

Send me an email with the title/author and Amazon link to the book and I’ll do the rest. Simple as that!

armandrosamilia (at) gmail (dot) com

Armand Rosamilia

Your Favorite Weekly Horror Books



This summer I’ll be doing something I’ve been meaning to do for a long time… I want to recognize some great books in the horror fiction field. I also want to find some new books I might’ve missed myself, so…

I am opening this blog up to suggestions from YOU!

I want YOU to give me one horror book suggestion you loved. It doesn’t have to be new. It doesn’t have to be a certain length or within a certain subgenre of horror (although I won’t be taking zombie or post apoc books on this website because I’ll be doing the same thing on my other site, each week for that!) It just has to be something you liked enough to want to let the world know. Or the readers of this blog. 

You CANNOT CANNOT CANNOT suggest your own book. That is super tacky and frowned upon by management. 

I’ll be picking 3-5 each week and I’ll post it up each Tuesday on this site and the zombie/post apoc every Thursday. It’s free of charge. It’s just a way for me to not miss what is out there, too. Hopefully it will become a place where horror readers will enjoy some new suggestions, too. I’ll even let people know you proudly suggested it, too. 

Send me an email with the title/author and Amazon link to the book and I’ll do the rest. Simple as that!

armandrosamilia (at) gmail (dot) com

Armand Rosamilia

HBS Author’s Spotlight on Armand Rosamilia


Brand spankin’ new interview with me is up today! You should really read it!

US Apocalypse

Following The Living – Guest Post by Jay Wilburn #WeAreAllHaunted


a picture

Following the Living: Telling Ghost Stories


We find ghost stories familiar because they have the touchstones of every type of literature. We as writers and readers are looking over characters’ shoulders as they carry on their lives. We watch from above or we enter their minds and read their thoughts. We watch the action through their eyes as we passively possess their bodies. We are the ghosts looking down on the pages from outside their world trying to get into it.


The ghosts in a ghost story are representatives of our position from within the pages. Sometimes they reach in deeper and influence the action. Even when they are invisible and we are watching the unexplained events with the living human characters, we get the sense of being watched and influence from outside the world of the story. When they become something that can be seen or spoken to, it is as if both sides of the world of the story have been allowed to interact in a way other literature does not get to do.


These interactions have meaning for us. The past informs all our choices either with pride or regret or any of a thousand other emotions. We make leaps of faith or we fail to do so out of fear. We stand by our principles or we fold up in the moment of testing. Those experiences though dead and gone in the past haunt us. They fill us with fear when the same pattern of conditions rise again for another test or another leap. Even when we went through it all before and survived, we are afraid of those ghosts when they appear in our lives again.

me with jenny

The things we know about our family and friends both good and bad linger with us even once they are out of our lives. The things we suspect or wonder about them do too. Their hidden motivations translated into actions played a part in shaping our lives and setting our paths. We might only begin to put the pieces together later during the haunting of memory to see a fuller picture of the light and darkness behind the people who were once in our lives and may still have a cold, ghostly hand on our souls in the present. No one haunts us as deeply as those that were supposed to love us whether they succeeded at it or not.


Armand Rosamilia and I wrote a ghost story together called The Enemy Held Near. It explored a spiritual manifestation of this family haunting in the lives of a troubled family and a strained marriage. We were attempting to tell what would be considered a traditional ghost story and haunted house story set in the modern South. We wanted it to be innately tied to the struggle of the characters experiencing the haunting. We ended up creating a story that included the hauntings of addictions, past mistakes, fear of failing as a parent, family prejudices that go back generations, and the way we hurt the very people we would have once died to protect. Because in the end we are all flawed and we are all haunted.


If we could see all of the picture of the generations that came before us, the darkness might be too much for us. The weight of that might be crushing to our spirits. Our heroes would be further fallen than they are now and our monsters would become uglier in the most unexpected ways. We would be tormented by seeing our own failings reflected back at us from the villains in our ancestry. We might be robbed of any hope of changing our course, if we really saw how many tried and failed in the line before us. Death and silence can be a gift when the farthest generations back step off the stage and leave the scene allowing us our brief time with the script to make our best attempt at a worthy performance.


This is the real horror to be found in a ghost story. Those actors dismissed from the stage step back on. The hidden darkness is revealed as the shadows take on the characteristics of life. That baggage from the past is laid at the feet of the living. The weight of the motivations of those that were supposed to love us come to bear once more in a manner that is much more threatening than mere memory or unsettled fear. It all comes back in a haunting.


Our ghosts in The Enemy Held Near are a manifestation of past mistakes. They reveal how regret and loss would fester if they were allowed to continue on after the release of death. The novel explores how the inability to let go can become destructive in life and after death if ghosts are in the picture. Sometimes the living and the dead are called on to make sacrifices and will suffer from a lack of forgiveness.


If you are looking for a great ghost story, there are a lot to choose from. We think you’ll enjoy The Enemy Held Near for the characters and for the haunting. Consider haunting our story and characters for a while.


Armand’s 2015 Year In Review


2015 was another solid year for me when it came to releases. While the amount of new product slowed, the same amount of words was released in my estimation. My goal each year is to hit 400,000 words written and except for a couple of short stories currently awaiting publication, everything else was released via self publishing or through a small press in 2015.

I had 30 releases, which was less than the 45 a year average I’ve done the last two years. I also went through my works and eliminated all of the serialized stories that made it into complete collections as well as redundant releases I did myself.

Box sets were still a big deal for me in 2015. A lot of my secondary sales through them as well as key Amazon ranking came because of the box sets and I hope to continue to be involved in a few more in the future.

OK, time for the breakdown by month for me and 2015…



Ultimate Undead Box

Ultimate Undead Collection: The Zombie Apocalypse Best Sellers Boxed Set (10 Books)

The last day in January Dying Days was published in this box set along with notables Joe McKinney, Bobby Adair, TW Piperbrook, Michaelbrent Collings, Sarah Lyons Fleming, Shawn Chesser, Rachel Aukes, David Moody, Timothy W Long and Eric A Shelman. The best part? it’s still only 99 cents!



State of Horror: North Carolina

February 8th I was in another State of Horror anthology (you already know my initial involvement in the franchise, so I won’t digress) which featured some really cool stories by  Nathanael Gass, Frank Larnerd, Randal Keith Jackson, Kathryn M. Hearst, Spencer Carvalho, Kenneth W. Cain, Frank J. Edler, Stuart Conover/Kerry Lipp, Susan Hicks Wong, Matt Andrew, L.J. Heydorn andMargaret L. Colton


State of Horror: Illinois

The audiobook for State of Horror: Illinois came out on February 20th (narrated by the wonderful Jack Wallen)


Dying Days: Origins by Armand Rosamilia

Dying Days: Origins

The audiobook for Dying Days: Origins came out on March 3rd, narrated by Jack Wallen. Obviously I enjoy working with Jack on these audiobooks.


Change Jar Books Complete

March 13th the audiobook version of this came out, narrated by Jack Di Golia, who did the entire seven book run for me. I couldn’t be happier working with him, either.

Hollywood Hellmouth

Hollywood Hellmouth

Also on the 13th, the first part of a trilogy came out, a horror humor tale written with Jack Wallen, Jay Wilburn and Brent Abell. This was fun to write. We debuted this at Mid South Con in Memphis to rousing success. Fine, we sold 5 copies.

State of Horror: Louisiana Volume I available March 17th, 2015

State of Horror: Louisiana I

March 16th State of Horror: Louisiana I debuted, with more great stories, this time from Chad McKee, Pamela Troy, Tommy B. Smith, Amanda Hard, Allie Marini Batts, Sarah Glenn, Armand Rosamilia, Ethan Nahte, J. Jay Waller, Alexander S. Brown, Henry P. Gravelle, Jay Seate, and Margaret L. Colton.


State of Horror: Louisiana II

March 30th saw the second part of LA being released, this time with stories by Stuart Conover, Herika R. Raymer, Teresa Bergen, J. Lamm, Nathan Pettigrew, Armand Rosamilia, Ambrose Stolliker, B.A. Sans, Edward Moore, Anthony Watson, Jonathan S. Pembroke, J.M. Lawrence, and Melodie Romeo.


Fairly Wicked Cover

Fairly Wicked Tales: Dark Fantasy Anthology

April 19th Fairly Wicked Tales: Dark Fantasy Anthology was re-released and featured one of my short stories, “The Wolf Who Cried Boy.” Over 20 great stories are in this one, so buy it. Now.


anything but zombies

Anything but Zombies: A Short Story Anthology

On the 26th of May my short story “Down In A Hole” was featured in this Simon and Schuster release. Tim Curran, Jeff Strand, Rebecca Besser, MontiLee Stormer, Lee Moan, Tonia Brown, Jake Bible, Faye McCray, and Jimmy Pudge were all involved as well. Get it.


Tales of Magic

Tales of Magic and Misery: A Collection of Short Stories by Tim Marquitz

Tim put 19 of his stories together in this fine collection, and had other authors (such as myself) give him one of our stories to promote. He’s a swell guy. This came out June 6th. I had “Dying Days: Noah Stern” short in there.

NJ sudio

State of Horror: New Jersey

This audiobook came out on the 10th. Narrated once again by Jack Wallen and once again featuring a Dying Days short from me in it.


Dying Days 5

June 16th Dying Days 5 was released. Putting this together I realize its my first self published full release for the year, as everything else was an anthology or audiobook previously out. I’d been writing up a storm up to this point in the year but most of it would be released later (as you’ll see) or written for the movie team and those books sometimes come out months in the future. Anyhoo… this is part 5 and it was released right in the midst of my annual #SummerofZombie blog tour.


This month saw the two year anniversary of Arm Cast: Dead Sexy Horror Podcast as well as the debut of Arm N Toof’s Dead Time Podcast, co-hosted by Mark Tufo. Both on Project iRadio.


Hoboken Hellmouth

The second book in our trilogy was released on the 21st. Another fun time was had by all: me, Brent Abell, Jay Wilburn and Jack Wallen.


Bite Sized

Bite-Sized Offerings: Tales & Legends of the Zombie Apocalypse

This was a really cool charity anthology to help a friend in need who is such a big supporter of zombie authors. Over 30 authors contributed a YA zombie story, including my first-ever, a Dying Days story featuring the children of the family. It will definitely lead into my first-ever Dying Days YA novella in late 2016, too.


Highway To Hell

This is the updated version. I changed the crazy sex parts and over the top violence and made it more in line with the rest of the Dying Days books. So far people have enjoyed the less intense version, although it still isn’t for the kids. I’d give it a solid R rating instead of the NC17 it used to be.



Children of The Grave

September 4th this cool anthology came out. It’s a shared world anthology and written by Joe McKinney, Armand Rosamilia, Tonia Brown, Joe Mynhardt, Aurelio Lopez III, and Alex Laybourne. You don’t get any cooler than that group. Am I right?

Honolulu Cover

Honolulu Hellmouth

On the 8th, right in time for the Imaginarium convention on Kentucky, we released the third and final part. Single digits of people flocked to our signing tables, creating such a noise the car alarms went off in the parking lot.

Dying Days 4 Audio

Dying Days 4

On the 17th Dying Days 4 audiobook (narrated once again by Amanda Lehman) was released.

The Louisiana Incident: Former Navy SEALs Vs Zombies

I wrote this novella based on a movie that was filmed but some people weren’t happy with it. So (because it is Hollywood and beyond me) I was listed as editor, the cover is just words and it has distanced itself from the movie by changing the title. The book is much better than the movie, by the way. Much.

horror 201 volume 1 small

Horror 201: The Silver Scream Vol 1

October 14th saw this extensive collection released. Nonfiction essays and interviews by film legends and authors such as Wes Craven, George A. Romero, Ray Bradbury, Ed Naha, Patrick Lussier, Stephen Volk, Nancy Holder, Tom Holland, John Shirley, William Stout, and John Russo. For some crazy reason they thought I had something to say on the subject, too.

Chelsea Avenue

Chelsea Avenue: A Supernatural Thriller

On the 30th Devil Dog Press re-released this book, one of my favorites and my first real full-length novel. Look for longer books from me in 2016, and most of them more thriller and less horror as I change things up a bit. This book is one of my favorites I’ve ever written, and you need to read it and tell me I’m right or wrong. As long as you read it.



Paying The Ferryman

On the 18th this anthology was released. My short story, “Black Tooth Grin,” joined  Melodie Romeo, Rick Scabrous, Silas Green, D. S. Ullery, Brian W. Taylor, Diane Arrelle, Bryan Best, Tanya Nehmelman, Mariesa Inez, Rachel Hogan, S. H. Roddey, Jenner Michaud, Scott McCloskey, Heidi Lane, Brian Fatah Steele, Eric I. Dean, Herika R. Raymer, Lee Pletzers, and Jerry E. Benns writing fun stories about death.

Bahama Complete Cover

Bahama Mama’s Complete

The seventh and final release in the contemporary fiction Flagler Beach Fiction Series was out on the 20th. The audiobook followed in November, too, once again narrated by the great Jack Di Golia. This wraps up the series although I have a feeling we’ll see some of these characters again in the future.


Middletown Apocalypse

Halloween saw the release of this cool anthology, where eleven authors took the kernel of the same basic story and made it our own. Hi-jinx ensued. Abel, Chesser, Evans, McKinney, O’Brien, Rosamilia, Shelman, Stallcup, Tufo, Wallen, Wilburn. So cool you don’t need first names.



Highway To Hell 2

November 3rd, at the basic start of my annual #WinterofZombie tour I always release a new Dying Days book. I still technically did, and it nicely combines characters from the first Highway To Hell as well as Dying Days: Origins.

DD Box 1

Dying Days Ultimate Box Set 1

Four novellas set in the Dying Days world are included in this massive box set: Still Dying: Select Scenes From Dying Days, Still Dying 2, Dying Days: The Siege of European Village and Dying Days: Siege 2
Plus… the two-story Dying Shortly set (now out of print except here) and 2 short stories previously only available on a website: “Dying Days: Downtown From Hell” and “Dying Days: The Scorpion”… Over 500 pages and more than 174,000 words in all! This special box set will only be available for a limited time at a special price of $9.99 but right now its only $3.49, so get a copy. Look for the second one in early 2016, too.

Hellmouth Box

Hellmouth Trilogy

November 23rd I released all three of these glorious books Jack, Brent and Jay and I had written in a convenient box set. Now you have no excuse not to read them. And its priced right now for only $3.49, so you really have no excuse at all.


Flagler Beach Fiction Series Complete

I told you I liked box sets this year. On the 30th I put all 7 of the Flagler Beach Fiction Series books together in one massive 190,000+ word ebook collection and priced it at only $3.99. You’re welcome.



Green River Blend: A Supernatural Thriller

My last release of 2015 and one of my favorite stories. I liken it to a Bentley Little weird tale and so far readers have agreed. A little different from my traditional horror work, which I will be getting slightly away from in 2016. I’ll still have many horror releases and more Dying Days but this book (as well as Chelsea Avenue, both released by Devil Dog Press) will further expand what I’m doing.

Also look for my Kindle Scout-winning Dirty Deeds crime thriller in early 2016, too! Mark Tufo and I wrote an apocalyptic tale together (no zombies!) featuring Darlene Bobich and Mike Talbot. Look for that in 2016 as well… big things on the horizon for me in 2016.


Guest Post: Dan Padavona


Dark Vanishings series

If I had a dollar for every time someone told me, “I liked the book, but the movie was scarier,” I’d be a rich man.

Let me be clear about one thing. It is hard to frighten someone with the written word alone. I don’t care if your name is Ketchum, King, or Laymon. Scaring people with mere words is incredibly difficult and is only fleetingly accomplished, even by the most gifted horror writers.

The truth is that horror movies hold significant advantages over novels when it comes to delivering scares. While films, due to their brevity, cannot compete with books for character and plot depth, films take advantage of musical score, strong acting performances, camera angles, and innovative direction. And although cliche’, the horror movie can also deliver “jump scares,” momentary shock scenes – for example, the killer leaping out of the closet, or the false jump scare, where the hissing cat suddenly bounds across the set – which are almost impossible to replicate in printed form.

Yet authors have managed to frighten readers since the advent of horror fiction, and for my money, Salem’s Lot by Stephen King and Intensity by Dean Koontz are the most heart-pounding examples. But how should a writer attempt to frighten a reader?

The Slow Burn

The trend in fiction and film is to deliver action immediately, and while I don’t disagree with this methodology, I believe it is less than optimal when it comes to horror.

My horror fiction employs a slow burn, a creeping dread if you will, similar to the gradual builds of 1970’s horror films (think Black Christmas and The Exorcist). Similar pacing dates as far back as horror has existed as an art form, yet it was perfected by Alfred Hitchcock and leveraged by the classic horror films of the 1970s.

Everything begins with characterization. A book should contain characters which the reader can get behind and put emotional stock into, whether the characters are villains or heroes. The reader should believe in and care about the character. Then, when the character is put into jeopardy, the reader’s natural reaction is to become stressed. This alone isn’t enough to frighten the reader, but it’s a necessary beginning.

Read a Clive Barker or Stephen King novel, and pay particular attention to the author’s pacing during a frightening scene. In most cases, a slow burn is utilized. Nothing is rushed, and the scene is allowed to unfold gradually. When done to perfection, the horror broods and broods until the reader realizes she has been trapped and is without an escape route.

Let’s take the classic example of the monster or boogeyman hiding in the closet.

If I come right out and show you the boogeyman, I’m not likely to frighten you. Inside of a movie, I could use a cheap jump scare to get you to drop your popcorn, but in fiction I have no such advantage. In order for me to frighten you, the scene must unfold with near perfection.

For one thing, you’ll need to feel a sense of place. If the boogeyman is hiding in the closet, I haven’t done my job until I walk you from the kitchen to the bedroom and sit you upon the bed with cookie in hand. You need to feel the cookie crumbs on the bed sheets. You need to see the room – the lamplight pooling around the base of the nightstand and dying in the middle of the room, the Black Sabbath poster scotch-taped to the paint-chipped wall, the way the bed sheets and blankets covering your chest and legs won’t stretch past your neck.

And even then you won’t believe the boogeyman exists. But if I place you in that desolate room and make you hear the muffled rumble of the television through the floor, so that no matter how loud you scream, your parents won’t hear you, then I’m at least halfway home. Because once your closet door starts to creak open, and once those shadows start to spill into the bedroom like a black ocean, I need you to be that kid in the bed.

And then if I do everything right, and if I catch you in a receptive mood, I might just chill you to the bone with the written word.

Don’t Let Them Run Away

Think about how expert directors like Hitchcock paced their scenes, allowing the disquiet to simmer before the monster was unleashed. The shower scene of Psycho didn’t open with Norman Bates holding the knife. We followed Janet Leigh through the dingy motel room, watched her peel her clothes off and step into the shower, and saw from her perspective the spray cascading down. Think about how you would write this scene, if you were constructing a Psycho novelization.

Two more excellent examples are the directions of Fred Walton’s When A Stranger Calls and When A Stranger Calls Back. The pacing of the brooding horror is tortuous. You cannot help but squirm as the babysitters are unknowingly stalked by madmen. In a bad slasher movie, the opening scene to When A Stranger Calls would last a few minutes. In Fred Walton’s direction, it lasts over twenty excruciating minutes in which the viewer is trapped inside the creepy house.

The best horror authors never allow their readers to run away before the monster gets them. They lure the readers in, then they lock the doors.

As authors of horror novels, it is important we slow down and allow our readers to immerse themselves in a scene. Slower is better. Go for a gradual build, and never rush the process. Writing for horror is incredibly challenging, and it is imperative we give ourselves every advantage.

Take your time with the scene. Then scare Jessica to death.

About the Author

Dan Padavona is a horror and dark fantasy author. Dan’s gothic vampire novel, Storberry, reached the top-10 among Amazon horror novels, and his post-apocalyptic series, Dark Vanishings, has been compared to Robert McCammon’s Swan Song and Stephen King’s The Stand. You can visit Dan at his website,

Guest Post: K. Trap Jones



Finding Time to Write

K. Trap Jones


The first thing people ask me when they find out that I write is: When do you find the time?

Of course, the answer differs between writers, but for me, I write late at night. I have a full time career, a wife and three sons. I simply cannot write during the day. There are too many real life situations and the time is not there. I coach my youngest son’s soccer team and coach my middle son’s baseball team. Real life will always be more important than my writing hobby. I’ve been writing for about 6 years and have been blessed with the ability to balance my hobby with everything else.

I have a weird process with writing which reflects directly with the time. I will not write a single word until I conceive the entire story within my head. As soon as I can reach the ending, that’s when I begin writing the story. Regardless of whether it is a short story or a novel, I think through the chapters to make sure I have a complete story in mind. This helps me with the flow of writing. Every night, I am able to bust out a few thousand words or so because the story is already there and I’m not making it up as I go. With short stories, it takes me one night to write one then I use the next night to self-edit before I sub it. With novels, I find I need at least three weeks of “thinking” about the story and three additional weeks to write it down. I let it sit for a week before reading through for flow, consistency, and basic edits before sending to the publisher. It’s a crazy method, but for some odd reason, it works for me. Right now, I am currently writing my seventh novel and “thinking” about my eighth. By the time I’m done writing, I will immediately start the next.

I always thought that writing at night adds to the creepy factor of horror. When everyone else is in bed, all the lights are off and there’s music blaring in my ears… that’s where my writing begins. One Bad Fur Day was conceived over a time period of two weeks and written within three weeks. When I find the story fun to write, the process speeds up. After finishing up a night’s writing session, the next day’s chapters will be thought about during the day until the moon rises and I fire up the laptop. Since OBFD is a journey type of story, I always enjoyed thinking about the next interaction or environment Sid had to go to next in order to find the clues to his missing wife, Sally.


One Bad Fur Day


Call it odd, call it off-beat, call it fantasy; but don’t think for a moment that One Bad Fur Day is anything other than a suspense driven horror ride that blurs the lines between harsh reality and brutal imagery…

As Hurricane Katrina barrels through the Louisiana bayous, the animal population is forced to deal with the tumultuous upheaval of their world. Sheriff Sid and his wife are caught completely off-guard by the natural disaster unfolding around them as they battle not only the turbulent winds and flooding waters, but heinous acts committed by other creatures inhabiting the backwaters. Following a brutal assault on his wife, Sid is forced to fight off voodoo-priestess snakes, a junkyard raccoon, deceitful badgers, and a band of roving power-hungry alligators. While clinging to his tenuous hold as sheriff, Sid must find a way to recapture what is rightfully his and exact his revenge.

  1. Trap Jones does a fantastic job of pairing the genuine horror of a natural disaster with a story of deceit, betrayal and vengeance that pulls you in and forces the reader to identify with Sid as he journeys through the darkest reaches of the bayous, facing deadly encounters, on One Bad Fur Day!


One Bad Fur Day is available at:


Amazon: US | UK | Canada | Australia | Germany | France | Spain | Italy | Japan | Mexico | Brazil | India | The Netherlands


Amazon Print: US | UK | Canada | Germany | France | Spain | Italy | Japan | Mexico | Brazil | India

Barnes & Noble (Print & eBook)





ABOUT THE AUTHOR – K. Trap Jones is an author of horror novels and over 50 short stories. With inspiration from Dante Alighieri and Edgar Allan Poe, he has a temptation towards narrative folklore, classic literary works and obscure segments within society.

His novel THE SINNER (Blood Bound Books) won the 2010 Royal Palm Literary Award. His splatterpunk novella, THE DRUNKEN EXORCIST has been released by Necro Publications. His narrative horror short story collection, THE CROSSROADS is available from Hazardous Press.

He is also a member of the Horror Writer’s Association and can be found lurking around Tampa, Florida.




Guest Post: Stephen Zimmer



The Soundtrack of Hellscapes, Volume II

by Stephen Zimmer



I would like to thank Armand Rosamilia for the opportunity to create a soundtrack for the six tales in Hellscapes, Volume II.  It wasn’t easy coming up with a specific list, as there are lots and lots of songs and bands that come to mind when thinking of these tales, but I have made some choices that fit very well with the individual stories.


I have broken up the synopsis, so I can give a sense of what each story is about before giving my song pick.


Hope everyone enjoys the list!  Definitely on the heavy side of things!



In “The Cavern”, a man finds his way into a nightmare, subterranean world that leads to an even greater, and more devastating, revelation.


For this one, I choose the song “Hell Awaits” by Slayer, off the album by the same name. This has all of the atmosphere that I feel in the story as well, with finality and a grand scale to things.


Lyrics such as the following fit very nicely with the roaming element contained in this particular story.



“The Reaper guard’s the darkened Gates

That Satan calls his home

Demons feed the furnace where

The Dead are free to roam”


I almost chose “South of Heaven” or “Seasons in the Abyss”, but “Hell Awaits” captures the essence and the scale of this story so wonderfully.



A police officer takes pleasure in violently executing his duties and it appears to be open season in “The Riot” when he is part of an operation sent to crack down on a gathering of people protesting an economic summit nearby. But this is an operation that is going to take a very different kind of turn, one that opens his eyes to a new reality.


For this one, I pick Pantera’s “Five Minutes Alone” off of the Far Beyond Driven album.  I’m not anti-law enforcement at all, it is a noble and needed pursuit for those who do it for the right reasons, but for the ones who abuse their power and authority I think the Pantera song fits well, especially with what transpires in this story.


It is about meting out justice in a very visceral manner that the offender cannot escape from.  Not too different from Phil Anselmo’s vision of having five minutes alone with the offender in the Pantera song.  The main character in this tale definitely is a loathsome, brutal individual who comes to face his five minutes alone with the evil he created in life.


A woman finds herself stranded on a high, rocky ledge, along with many other men and women, surrounded by a frothing sea in “Above as Below”. Shadows glide beneath the surface and soon she will discover what lurks within the depths.


For this one, I select “Monsters of the Deep” by Devildriver, off of their album The Last Kind Words.  Heavy and brooding in feel, this one definitely fits the vibe of this story.  And there definitely are monsters in the deep too!


The following lyrics are simply perfect with what transpires in this particular story:


“Set your sights on rocky shores

You just might run aground on the reef

The journey’s in the destination

Mention fear, you’re falling on deaf ears”


You’ll have to read it to find out just how, though!


“Spots Do Not Change” tells the story of a man who has never had any qualms lying, cheating, or deceiving the women in his life. A reckoning day looms as he comes to understand that his actions have harmed the lives of many others, actions that in the realms of Hell take on forms of their own.


This one gets Five Finger Death Punch’s “Meet the Monster” off of their first release, The Way of the Fist.


One line in this song speaks volumes to the theme reflected in this tale.


“It’s time you met the monster that you have helped create.”


This is a story about accountability, and about the monsters that are created when you cause others pain and harm lives.  In this story, it takes a literal form, and the one condemned does indeed meet the monster and everything else his actions gave life to.


Having spun webs of intrigue and personal destruction at the heights of national politics throughout his life, a man finds webs of another sort to present grave danger when he finds himself lost within a strange wilderness in “Weaving Webs”.


For this one I pick a rarer Danzig song, “Soul Eater”, from the release The Lost Tracks of Danzig.


With the reference to pitchforks and presidents in the song, which in my mind conjures up thoughts of the masses alongside figures of power, the following lyrics apply nicely to the main character and the ultimate fate that he comes to discover.  He has spent a lifetime in manipulation and the halls of power, but now he runs into something inescapable…that has his soul.  It also holds the connotation of someone being manipulated by a greater power, or a weaver of webs being part of an even greater web being spun.  Perfect song fit.



“Bad seed in the base of your skull

I’m here to help it grow

You wanna Pitchfork and presidents

Well, I can make you choke”

Then you call me

Here I am

But you remain

Just remember that I got your soul”


Many are drawn to “The Club” in the heart of the decaying, shadow-filled city of Malizia, hoping for some entertainment and release, or even safety from the monstrous dangers lurking in the darkness. One man struggling against amnesia finds his way to the seemingly popular establishment and its confines give him momentary hope; until he discovers the nature of this night club and those who run it.


Danzig makes the list a second time, with “Lilin” off of the Danzig 666 Satan’s Child album. This one flows with a sense of dark, supernatural power of a female nature.  With the kind of guy that the main character is, and those he comes to meet in the story, this song is a great fit.

“And if you look down into her eyes, yeah
You’ll see the souls she has trapped inside.”

Book Synopsis for Hellscapes, Volume II: Return to the nightmarish, shadowy realms of Hell in the latest installment of the Hellscapes series by Stephen Zimmer. Six brand new, macabre tales of the infernal await you … but be that you only visit these realms, you do not want to share the fates of the inhabitants you will encounter!


About the author:   Stephen Zimmer is an award-winning author and filmmaker based in Lexington Kentucky.  His work includes the cross-genre Rising Dawn Saga, the epic fantasy Fires in Eden series, the sword and sorcery Dark Sun Sawn Trilogy, featuring Rayden Valkyrie, the Harvey and Solomon Steampunk tales and the Hellscapes and Chronicles of Ave short story collections.

Author Links:














Guest Post: Jasper Bark


beyond cover insmouth



Of all the locations created by H. P. Lovecraft, none strike such an ominous a note as the ancient town of Innsmouth.


Until now, the only way to visit Innsmouth was through Lovecraft’s fiction, but thanks to an innovative crowd-funding campaign, you can actually purchase property in horror’s most legendary town. That’s right you can now buy and own a house in Innsmouth and it won’t break the bank, (though it may cost your soul).


As part of the crowd-funding campaign for the graphic novel Beyond Lovecraft, multiple award winning artist Rob Moran is building a huge scale diorama of Innsmouth, based on extensive research. As one of the campaign’s perks, Rob will build a select group of contributors a scale model of a house at one of Innsmouth’s prime locations. The house will come complete with a fully illustrated sales brochure, a deed of sale and a special letter of thanks from the town’s leading realtor.


And this is only one of the unique perks and one-of-a-kind experiences that this Indiegogo campaign is offering contributors.

pg 6

Beyond Lovecraft is a portmanteau horror story that draws directly on the work of H. P. Lovecraft. Drawn by Rob Moran, and written by award winning horror writer Jasper Bark, Beyond Lovecraft is set in the apocalyptic aftermath of the return of the great god Cthulhu. A scattered band of survivors scratch a bare living, hiding in the shadows of their lost world. A tiny group of scientist from Miskatonic university find a way to access the fabled Library of the Yith. An alien archive that contains the entire history of the universe, first mentioned in Lovecraft’s novella: The Shadow Out of Time.


The scientists hope to find a way to stop humanity’s extinction and win back their planet from the Elder Gods. Instead they uncover four tales of cosmic terror, and personal loss, that will forever change the way you view the Cthulhu mythos.


Writer Jasper Bark, says: “I think the main thing that makes our campaign stand out, is that it belongs to whoever gets involved. So many readers feel they have a personal stake in the Cthulhu mythos because, from the very beginning, Lovecraft shared his mythology with other authors as well as his readers. We want to continue this in our approach to the campaign. Every perk we’re offering, is designed to put contributors at the heart of this campaign, to give them a sense of ownership. You know when you pick up a comic and think: ‘This was made just for me!’? If you’re a Lovecraft fan, that’s how we want you to feel about ‘Beyond Lovecraft’. We’re putting it together especially for you.”


Rob adds: “Apart from being a cracker of an idea, some wonderful new twists and insights on the classic Lovecraft stories by Jasper and, all modesty aside, probably the best art of my career, I think there is a great thirst for Lovecraft to be done properly. Can you imagine Lovecraft drawn by Bernie Wrightson or Frazetta or Jesus Blasco? That’s the kind of art I want on Lovecraft stories and I think a lot of Lovecraft purists might feel the same way.”

cover 2

The Beyond Lovecraft Indiegogo Campaign starts on 10/5/2015 and can be found here:

For images and other promotional materials please contact Jasper Bark @

Guest Post: Jerry Benns


jerry pic

Author Jerry Benns Makes Debut in Paying the Ferryman

The Ferryman has arrived and brought some amazing stories from the afterlife. One of these stories, from the new anthology Paying the Ferryman, is from an author making his debut—Jerry E. Benns. As founder of Charon Coin Press and editor of the State of Horror series, Jerry has been busy getting great stories into the hands of horror fans. He takes the mission of Charon Coin seriously, “to produce quality works of speculative fiction with the readers in mind by creating a connection, a relationship if you will, with these fantastic authors” and he has worked tirelessly to uphold that mission. He started off as a book aficionado, his love of all things books led him into publishing and he was a consummate blogger at Trip Through My

Giving Back

Taking the time to run a publishing company left precious little time for his own writing. To date he has produced five books in the State of Horror series with another, State of Horror: Tennessee, due for release by the end of this year. In addition to his work on State of Horror, Benns has several other projects in the works set for release in the next year. And on top of that he does many activities to benefit not only the writing community, but society at large. He participates in cycling and running events to raise funds and awareness for diabetes, lupus, heart disease, firefighters and many others. However, now Jerry Benns has found the time to take his next step as an author with his first short story “The Mai’tas Prophecy” in Paying the Ferryman.

First Published Story

“The Mai’tas Prophecy” is an imaginative story set in New Orleans. Benns was able to weave the unique feel and culture of New Orleans with something the locals live everyday—the spirit plane. What better place to set an alternate plane than in New Orleans? Jerry Benns is a natural storyteller, which shows as you step into the world he creates. The fact that the characters are all dead is of no consequence because you are driven to find out what will happen next. His take on death-is-not-the-worst-thing-that-can-happen-to-you, takes on a whole new meaning as the story unfolds.  It is hard to believe that this story is Jerry Benns’ first published story because he tells stories like a seasoned veteran and we can only hope this story is the first of much more to come.

About Paying the Ferryman

Benns’ “The Mai’tas Prophecy” joins nineteen other fantastic stories in Paying the Ferryman—an anthology in which the main character is already dead and then the story begins. That’s right, stories brought to you from the Ferryman himself from the other side. Along with Jerry Benns, four other talented newcomers share thrilling tales from the afterlife in Paying the Ferryman. Their stories are nestled between such seasoned authors as Armand Rosamilia, Brian Fatah Steele, Diane Arrelle, and S.H. Roddey just to name a few. Acclaimed author Hal Bodner lent his voice to the Foreword making Paying the Ferryman an incredible collection of stories in which death is just the beginning.


 Paying the Ferryman is available now at:

Amazon Link shortened:

            iTunes link:

            Kobo link:

            Nook link:

Paying the Ferryman is an anthology with something for everyone. For horror fans, it is a must read, for those seeking a thrill, you will find it, need a little rock and roll vibe—it’s in here, want suspense—it can be found in these pages, even those seeking a philosophical slant will find what they seek in Paying the Ferryman, but be sure not to miss Jerry Benns “The Mai’tas Prophecy” it will haunt you.

Armand’s Horror Movie Survival Kit



First, I want to thank Man Crates for coming up with this idea and getting my creative juices flowing.It’s a very cool site that packages perfect gift crates for us dudes, pairing booze and man food and other awesome stuff. They even have a zombie survival crate. Seriously, if you’re looking for a great gift for my upcoming birthday (November 21st – add it to your calendar!) or Christmas, you can’t go wrong with this.

Now, what would I have in my horror survival kit? Like you and everyone else who has eyes and can breathe, I watched way too many horror movies as a kid. Even as an adult, when I am more prone to a Jennifer Aniston rom-com, I still think back fondly to some of my favorite horror movies and wonder what I would’ve done differently. I figured it out.

Here are the items I would need in my horror movie survival kit in order to survive until the end:


  1. A cricket bat. I had one in my twenties when I managed bands. It was a very lame Spinal Tap joke but the damn thing came in handy a few times when someone crossed me. The one I had used to have some dried blood on it, which was cool. It also worked as a makeshift table before I got furniture in my bachelor pad, too.
  2. A few books. I’m not going to mention mine (which you can purchase Here) but some classic literature for the many hours of downtime between monster attacks would be nice. Maybe some light-hearted reading like Lovecraft, Koontz, Laymon, etc.
  3. Jean shorts. So I can be comfortable. Add a black t-shirt and you have the perfect running away from monsters outfit.
  4. Jack Daniels Honey. Just the small bottle so I can stay kinda sober throughout the ordeal. I don;t want to be too drunk but stone cold sober with a knife-wielding maniac loose isn’t fun, either.
  5. M&M’s. At least a pound of plain and peanut. Because if I’m going to die (and I will die) I want to be eating M&M’s when i do.


What does your list look like?


Horror 201: The Silver Scream Vol. 1 Now Available!


horror 201 volume 1 small

The definitive guide to filmmaking and filmmakers by the best in the field


Horror 201: The Silver Scream, the follow-up to the Bram Stoker Award nominated Horror 101: The Way Forward, delves into the minds of filmmakers to see what it takes to produce great horror films, from the writing and funding process, to directing, producing, and writing tie-ins.


It’s a tome of interviews and essays by some of our favorite artists.


That’s right, film legends and authors such as Wes Craven, George A. Romero, Ray Bradbury, Ed Naha, Patrick Lussier, Stephen Volk, Nancy Holder, Tom Holland, John Shirley, William Stout, and John Russo want to share their expertise with you through informative, practical, career-building advice.


These are the folks behind movies and novelizations such as A Nightmare on Elm Street, Scream, Dark Shadows, Sleepy Hollow, Supernatural, Buffy, Resident Evil, The Stand, Sleepwalkers, Masters of Horror, The Fly, Critters, Tales from the Crypt, Child’s Play, Fright Night, Thinner, The Langoliers, Ted Bundy, Re-animator Unbound, Halloween, Apollo 18, The Eye, Night of the Living Dead, The Crow, The Mist, Pan’s Labyrinth, and Raiders of the Lost Ark.


Horror 201 also entertains. You’ll see a side of your favorite authors, producers, and directors never seen before – combining fun and entertainment with informative career-building advice.


Horror 201 is aimed at arming generations of authors, screenwriters, producers, directors, and anyone else interested in the film industry, from big budget movies to the independent film circuit, as well as the stage.


Whether you’re an accomplished author or screenwriter, writing as a hobby, or have dreams of writing screenplays or making movies, Horror 201 will take you on a behind the scenes tour of the Horror movie industry from Hollywood to the UK and Australia.


Horror 201 covers:

  • Horror as culture
  • Scare tactics
  • The evolution of the horror film
  • Viewer desensitization
  • Watching your story come to life
  • Screenwriting advice
  • Dissecting screenplays
  • A production company case study
  • Tricks of the trade
  • Writing tips
  • Advice on Producing
  • Advice on Directing
  • Information about funding and distributing a film
  • Entertaining tidbits and anecdotes


And so much more!


Horror 201: The Silver Scream is perfect for people who:

  • are looking to delve into screenplay writing
  • want to write their first screenplay
  • are fans of the horror movie industry
  • like to follow the careers of their favorite directors
  • are planning on infiltrating a different field in horror writing
  • are looking to pay more bills with their art
  • are trying to establish a name brand
  • are looking to get published
  • are looking for motivation and/or inspiration
  • are seeking contacts in the film industry


Edited by Joe Mynhardt and Emma Audsley.


The full line-up includes:

Wes Craven, George A. Romero, Ray Bradbury, Ramsey Campbell, Ed Naha, Edward Lee, Patrick Lussier, Tim Lebbon, Jonathan Maberry, Stephen Volk, William Stout, Michael McCarty, Dan Curtis, William Stout, Graham Masterton, Harry Shannon, Jason V. Brock, L.L. Soares, Mick Garris, William F. Nolan, Lee Karr, Stephen Johnston, Aaron Sterns, Michael Laimo, Jonathan Winn, David. C. Hayes, Brian Pinkerton, David Henson Greathouse, Aaron Dries, Armand Rosamilia, Billy Hanson, Jack Thomas Smith, John Russo, Mark Steensland, John Shirley, Tom Holland, Adrian Roe, Dave Jeffery, James Hart, James Cullen Bressack, Jeff Strand, Nancy Holder, E.C. McMullen Jr., Richard Gray, Richard Chizmar, William C. Cope (interior artist), Tim Waggoner, Tom Monteleone, Nick Cato, Kevin Wetmore, Eric Miller, and Lynne Hansen.


Don’t let this opportunity slip through your creative fingers.


“Being a part of Horror 201: The Silver Scream is almost as thrilling as having had my novels turned into feature films. After all, it’s not everyday one shares a TOC with George Romero, Wes Craven, and Mick Garris! This is a must have book for all writers looking to break into filmmaking.” – Michael Laimo




“No one teaches horror. As a student of terror, realizing just how useful it is in teaching how society works and is influenced, that is a shame. Horror 201 opens the door again, but be careful… you don’t know what lurks on the other side. The truth is scary.” – David C. Hayes




“With essays and interviews from the likes of John Carpenter, Richard Chizmar, Dan Curtis, Harry Shannon, Edward Lee and the late great Wes Craven, HORROR 201: THE SILVER SCREAM serves up prime cuts of fresh meat and raw broken bone for the palate of the discerning horror fiction and flick aficionado.” – Steve Vernon (author of Tatterdemon)




“As an in-depth look into what it takes to produce great horror films, we can think of no better resource on the market!” – Dave Jeffery & James Hart ( Award winning film makers from Venomous Little Man Productions)




“Horror 201: The Silver Scream will be seen as a landmark, the ultimate practical guide to horror filmmaking that will hopefully create and arm an entire generation of horror screenwriters and aspiring directors.” – Aaron Sterns




“Horror 201: The Silver Scream Vol.1 is chock-full of advice from many different artists associated with the movie industry. Tips on everything you need to know about the biz are included here: articles, history, music, screen writing, tricks of the trade, cultural and historic fears. They’re all here. And much more. There is never a one-fits all solution for anything, but this great tome will point you in the right direction. Crystal Lake Publishing is fast becoming the expert on all things horror.” – Blaze McRob



“A treasure of insights, anecdotes, and advice on the art and craft of horror films—from those who are in the trenches doing it. A must-read for fans and future filmmakers alike.” – Taylor Grant, Award-Winning Filmmaker, The Muse, Sticks & Stones, The Vanished




“The brilliance of Horror 201: The Silver Scream is how easily it blends the solid experience and unquestioned genius of experts like Wes Craven, George A. Romero and Ray Bradbury with the eager musings and possibly incoherent ramblings of relative newbies like me. Instead of a work penned solely by experts, we have instead a democratic microcosm of the industry. So for those who’ve often wondered how to bridge the divide between horror and Hollywood, they’re sure to find something — no matter how familiar they are with the ins-and-outs of the business — that speaks to them, answers their questions, and hopefully inspires them to take their next step. All in all, a fantastic read, a strong addition to an already famous series, and a great honor to be a part of.”  — Jonathan Winn, Martuk … the Holy, Eidolon Avenue (Crystal Lake Publishing, Jan 2016)




“Horror 201: The Silver Scream, a quasi-follow-up to Horror 101: The Way Forward, focuses squarely on the horror film industry. And similar to Horror 101, which deals with the art of writing horror, Horror 201 is a veritable grab bag of industry insiders’ encouragement and advice. You can dip in anywhere and discover pure gold and an unrestrained affection for the genre, although Joe Mynhardt has sensibly grouped the material he has garnered into logical sections such as ‘Screenwriting’ and ‘Novelisations’. Quite how he has managed it, I don’t know, but you will find here a proper treasure trove of goodies, including essays such as Scare Tactics: The Evolution of the Horror Film & Viewer DesensitisationHorror is Culture, and a tribute to Wes Craven, and interviews with John Carpenter, George A. Romero, and Wes Craven among others. An absolute must for fans of horror films and those who want to write, produce, or direct in the genre.” – John Kenny




“Horror 201 The Silver Scream is an eye-opening walkthrough in the wonderful world of filmmaking! This is perfect for the upcoming screenplay writer, film director, and everybody who loves a good horror movie! These pages hold essays, interviews, and endless knowledge for those looking to open their eyes and expand into this amazing craft. This isn’t just a book, it’s a gateway. A gateway to a vast universe hidden backstage with all the ins and outs, tips, tricks, and trades of the craft!” – Kya Aliana, author of the Vampiress series




“Horror 201: The Silver Scream is a milestone in horror history and filmmaking history. This invaluable collection will take you far and deep, thrusting you into the inside world of horror movies! Consider this book a beacon, calling out to you, guiding you through your craft and showing you the best way to go.” – Kya Aliana, author of the Vampiress series




“If you’ve ever wanted to go back stage or behind the scenes, now you do it from the comfort your couch, bed, or favorite lounge chair! Horror 201 brings an exciting aspect to world of horror – the ability to learn from the pros! This is a turning point in horror and film history, and will certainly continue to inspire, teach, and guide everyone who is involved in the industry!” – Kya Aliana, author of the Vampiress series



Guest Post: Mark Matthews



Confessions of A Horror Writing Hobbyist

It’s been about two years since a Horror Writers Association member’s blog post on the difference between Hobbyists and Professional writers captured a bit of attention. The flames from the social media lynch mob have faded, so I think it’s safe for me to say I’m grateful for the conversation, since ever since, I use the phrase, I’m just a Hobbyist,  multiple times a week to cool my burning worries.  

Calling myself a hobbyist relieves pressure. Keeps writing fun. Allows perspective. The pride I take in what I put out is to make my heart happy, not to pay for something essential. At best, I write to pay for the electric bill and enough coffee to keep me awake. Each novel is a bit of a crowdfund to pay for the editing, cover, and marketing of the next project.

My hobbyist horror writing thoughts are what I’ve come here to share. Save your questions for the end please. Thanks to Armand for the opportunity.

I don’t write horror to scare others, it just comes natural to me since I am the one who is constantly scared. Scared  of  the swiftness of random tragedy that befalls us under the watchful eyes of an indifferent God. Scared you’ll look me in the eye, scared I’m doing it wrong. Scared you are mocking me, right now. Scared that the finest humans of this world are destroyed by the worst in an everlasting genocide. Scared of that mole on my back.  

Worth mentioning, I also have an immense capacity for joy. I smile often, am blessed with many riches, and my favorite song growing up (which still makes me happy) is Disney’s“Zip-a-Dee-Doo-Dah.” There are plenty of days I can’t open my mouth without a song jumping right out of it.

In general, I find that horror writers with the darkest thoughts also have the most amazing hearts and are in touch with the fragile human spirit.  Horror fiction presents some of the deepest questions of the human condition.

Then again, horror for horror sake, for straight out thrills and fun, is great entertainment. The Evil Dead is a blast, and artistic, but won’t be mistaken for philosophy. It still makes my life better.

One dream project of mine is a novelized version of The War of the Gargantuas. My plan is an alternating first person POV from the green Gargantuan to the brown Gargantuan. I suspect there may be copyright issues.

Being a hobbyist means having to hide my work in progress in a discretely named folder on my work computer. It also means that, in order to swim with the professionals, every page has to earn the right to be read. With so many books to choose from, it’s an privilege to have a reader choose mine.

One thing I’ve learned in this hobby is that Audiobooks sell better than paperbacks, you make more per sale, yet so many authors never bother. Plus, and most important, it’s fun. Perhaps the next best thing to seeing a film made of your book is listening to a narrator read it out loud.

I don’t understand writing clubs who measure word counts. I can see the power of group support, but I would slit my jugular if I measured success by word counts.  My best days are often just finishing one paragraph, writing one scene, rewriting a descriptor, or simply lying in bed in that half dreaming state and I figure out how to fill a plot hole.

As I suspect happens with all writers, when my family reads my work, they always try to see themselves in characters that have nothing to do with them. They need to believe I wrote them into the story somehow and want to know if I’ve killed them off.  What they don’t realize is that I’m a flaming narcissist, and that everyone in my stories is actually bits of myself, not them. Everytime I write it’s a bit of torturing parts of myself,  and when I finally kills the last bits of my psyche, I’ll stop writing  altogether.

I have learned how to cherish my one star reviews. Highlights of some of mine include:

“What a crapfest”

“Three Thumbs Down,”

“the author’s a psychopath” and “as sick as the characters in the story.”

“it’s dangerous to write these kind of books these days.”  


The opposite of  Love isn’t hate, it’s indifference. One star reviews written with passion have much more of an impact than lukewarm 3 star reviews that scream indifference.

After experiencing both, I find self-publishing much more fun than working with a traditional publisher, and more fruitful. The trick is to mimic the steps of a small publisher by paying for a talented editor and cover art, enlisting an army of beta-readers, sending out advance review copies to a street team, and picking advertising venues with care. Sometimes, I even write a query letter and submit a novel to myself. Then I respond  6-8 weeks later with a form letter saying; “Dear Mr. Matthews, Your project is not right for us at this time.”

Having less gateways to pass through as a self-publisher makes impatience a potential killer. Impatience and self-publishing were twins in the womb. When impatience was born premature she grabbed self-pub and yanked her out well before she was done baking.

When I feel pressure to write faster because this is the age of a new book every six months, I think of marathons I’ve run where I’ve tried to keep up with runners faster than me. My legs were ripped to shreds, my thigh bone jutted out of my leg, and I was tortured by the running gods the last few miles for my mistake. Run and write at your own pace, for the race is long, and only with yourself. No need to keep up with the Kenyans or the professionals, because you’re just a hobbyist. This suits me, for I have no writing pattern, but rather, tend to write in manic obsessive binges for days, and then go on keyboard silence for days to follow

In writer hell, writers are perpetually marketing their work to an audience full of only other writers, none of them buying a book nor reading a single word, but all of them praising each other.

Okay, time for questions. Yes sir, you in the back.

Is Hobbyist just another term for a writer who can’t make enough money to quit their day job?”

Time’s up.

Mark Matthews works in the mental health filed and lives near Detroit with his family. He is the author of four novels including MILK-BLOOD, which has just been optioned for a full length feature film and named a semi-finalist for the 2015 Best Kindle Book Awards. His first horror novel, On the Lips of Children, was published by Books of the Dead Press and was a number one selling kindle horror novel on amazon. Follow him on twitter at @matthews_mark or his blog at


Tentative Release Schedule For Armand Rosamilia #amwriting


I have quite a few releases coming out in the next year or so, and projects on my dry erase board and Excel spreadsheets. I decided to post them up here to see if I can actually get them all out. These are just the self-published works and don’t include anything for anthologies or books published by actual publishers, just the stuff I’m working on and putting out.

Of course, as always, this is very subject to change. It mostly likely will, since I can’t take into account the movie adaptation contracts until they suddenly appear and I get paid in advance to do them, knocking everything else to the side for a few weeks and pushing the schedule further into 2016.

That being said… here we go!


November 3rd 2015 – Highway To Hell 2

This one is already available for pre-sale and merges the first Highway To Hell zombie novella with the Dying Days: Origins story.


December 2015 – OPEN


January 2016 – Creeping Death (re-release)

Since the demise of the previous publisher I’ve decided to release this once again but this time myself. Pre-sale link once the new cover is finished.


February 2016 – Green River Blend

A horror novel and one of my favorite stories. Working on the cover now. This one is all about a small town being overrun with horrible things because of coffee. Yep. Coffee.


March 2016 – Dying Days 6

The next part to the zombie series. Also working on the cover as well as a slight revamp for the previous books (expect a post about that in a few days or so). Follow along as Darlene Bobich does her thing during the zombie apocalypse.


April 2016 – Belford Stories

Think my Flagler Beach Fiction Series. A contemporary fiction book, set in the little fishing village I grew up in and set in 1987. Photos throughout by photographer Tammy Kelly, who I grew up with in Belford.


May 2016 – Necromance (re-release)

The horror erotica series of short stories was never completed before the publisher went under. I am in the process of rewriting it into a single novel, with much less on the erotica and more on the paranormal aspect of the tale. She’s a demon hunter with a warlock for a dad and the minions of Hell trying to kill her. Working the cover soon with the same great model used on the shorts.


June 2016 – Dying Days YA novella

This will be the continuation of the Dying Days: Emalee And Mason short story I wrote for Bite-Sized Offerings anthology, furthering the story of the two children as they traverse a deadly world of zombies. Very excited to write this one.


July 2016 – Tool Shed Massacre (re-release)

The original Tool Shed horror novella is out of print. I’m going to expand it into a full-length novel and give more of the backstory. Still one of my favorite works and it never got much notice, so this will be fun to update.


August 2016 – OPEN


September 2016 – Death Metal (re-release)

Another book I loved that never got the release it deserved, in my humble opinion. I’ll rewrite and expand it into a full-length thriller novel and already have the ideas for a sequel if it does well. Fingers crossed.


October 2016 – OPEN


November 2016 – Dying Days 7

Seriously? Two Dying Days in the same year? Yep. Darlene and company’s story will continue sooner than later for the first time in… well, since I started writing the series. With the rest of the secondary books completed except for the YA novella, it’s time to do 2 a year from this point out. Until no one wants to read anymore and I don’t want to write it anymore.


There ya have it… hopefully this list will work out nicely and I can add a few more releases within the open months, although I’m going to relax a bit this coming year and enjoy it all more.

Anything you see you’re interested in reading?


Guest Post: Peter Welmerink





The TRANSPORT Series. A fictional Military Action-Thriller, set in Michigan 2025-2026, with zombies.


The series was fun to write. I am told it is a good read in all its POST-post apocalyptic glory.


“…faced with the two most common threats in modern horror, zombies and human nature…it does not feel like something we have seen time and time again.”

The Rage Circus vs The Soulless Void Reviews


“…a fascinating sign of where zombie narrative, road narrative, and narrative in general might be moving…”

  1. Andrew Cooper’s Horrific Scribblings


But you know what? The guts of the book would have been pretty boring if I hadn’t been able to work with the great editors and beyond-awesome artists that I was graciously provided to work with.


Rodney Carlstrom proofed and edited the first TRANSPORT book, and also HUNT FOR THE FALLEN. (Prior to getting the first book picked up by a publishing house, Tyson Mauermann went through it, and helped me polish it for publication most certainly.) We worked together via email and phone conversations.


Scott Sandridge did the editing of UNCIVIL WAR, the third and final book in the series. Again, through mainly emails, we volleyed the manuscript back and forth until we felt the piece was ready for readership.


Through all these professional editors, they offered their thoughts on the mechanics and technicalities in and of many aspects of the books contents. They were an invaluable asset when bringing the final pieces to the table.


Typically my publisher enlists one artist to do the cover art AND the interior illustrations. I got lucky to work with a cover artist, Jason C Conley, and an interior artist, Tim Holtrop.


I had been in touch with an old (as in years known, not age LOL) illustrator who was excited about the TRANSPORT concept before it had been accepted for publication. Tim Holtrop (who had done work for DC Comics and Sony Entertainment) had done some sketches of THE HURON, the big armored personnel carrier starring in the series along with its crew. I wanted to bring him into the mix as I knew he’d do fabulous stuff for the project.


Again, I got very lucky after the publisher and Tim corresponded, and the publisher (Seventh Star Press) brought him into the fold.


Jason C Conley had been contracted to do the cover art for the three books. After some emails back and forth with my vision for each book cover, Jason came back to me one day asking if I’d be interested in him doing a triptych. I had to look up the term, figured out kind of what he was getting at, and let him run with my ideas and his vision of doing ONE BIG EXTENDED COVER that could be divided into three covers BUT, when placed side by side, became one illustration.


Jason, like Tim’s work, hit it out of the ballpark.


Jason did a kickass full color, extended cover with a depiction of THE HURON, agitated zombies, embattled soldiers, an Abrams tank, a close-up of Captain Billet (though he made him with blond hair) standing over a reaching, rotting Zee, and a hovering Apache helicopter…all before the skyline of the main city in the story: Grand Rapids, Michigan.


Tim did awesome illustrations of all my main crew members: Billet, Phelps, Stokes and Mulholland. He did an excellent B&W illo of Billet, Bob the 1950’s gas station attendant zombie, and Black Hair the Zombie Assassin, duking it out for UNCIVIL WAR. He also did a great illustration of Sister Mary Mirose standing over Billet with her AA-12 shotguns roaring.


I gave my editors and artists a slow zombie nod of appreciation as it all came to fruition.


I can’t thank these gents, editors and artists (and publisher!) enough for all their work on bringing my little insane vision to life.


At one point, before the first book was available to the public, and I had seen all the great artwork to adorn the inside and outside, I commented, “Cripes, I hope the guts of the book (the crazy drivel I wrote) is as good as all the fantastic artwork.”


In the end, I am very proud of this book series, and I think you’re going to enjoy it immensely.




Peter Welmerink ( was born and raised on the west side of pre-apocalyptic Grand Rapids, Michigan. He loves his hometown and West Michigan, which is why he writes about it. He writes Fantasy, Military SciFi, and other wanderings into action-adventure. His work has been published in ye olde wood pulp print and electronic-online publications. He is the co-author of the Viking berserker novel, BEDLAM UNLEASHED, written with Steven Shrewsbury. TRANSPORT is his first solo novel venture. He is married with a small barbarian tribe of three boys.




Twitter: @pwelmerink

BLOGS (TRANSPORT-related posts) (author interviews and all things fantastical)



Barnes & Noble




Barnes & Noble






I Have Too Many Releases For Sale


Jay Wilburn And Me

Jay Wilburn is a fellow author and good friend. I’ve had the privilege of doing several book signings with Jay over the last couple of years and many more are scheduled and will be done in the future. 

His philosophy is simple: don’t show all your books at once. Overloading potential buyers with too many books will only confuse and annoy people, or something to that effect. I always disagreed and piled 30+ releases on the table. 

Who usually sold more books? I don’t want to talk about it. 

I was interviewing a fellow author for my podcast (Arm Cast: Dead Sexy Horror Podcast – HERE is the link. Go listen and then come back. I’ll wait) and we talked about having too many books and stories out and confusing readers. 

Arm Cast Podcast Logo

Then it hit me like a ton of bricks. I have too many choices and sometimes it might be overwhelming to figure out where to jump into my work. I used the short stories a couple of years ago to build up my numbers and get my name out there and it definitely worked. But now I worry I’ve over-saturated the market with smaller works. Right now on Amazon I have over 150 releases. Crazy, right?

So… I’m making an adjustment, which is part of the fun of being a self-published author. I know I can’t do anything about stories released by publishers but I can do my own stuff, right?

Right now I have 81 releases in Kindle Unlimited. I love the program and I make good money with so many pages read, so the problem isn’t having so much in KU, it’s what I have in KU to begin with. 

I’ll begin slowly working some titles out of the system over the next few weeks, but here’s the basic ideas so far…


  1. All of my Flagler Beach Fiction Series releases except the Complete books with all 10 stories will go bye bye. Right now I have 5 parts plus the Complete of each of the 7 books and I’ll get rid of the 99 cents parts in favor of readers wanting to read all 10 stories of each at once. I think it makes sense. 

2. Same with Keyport Cthulhu. The five parts will now be deleted and the final collection sold only. 

3. In addition, I’ll be slowly pulling the early Metal Queens nonfiction books in favor of box sets with all of them together

Fashion & portrait

That’s just the start. 

A few other things I’ll be working on:

Doing more box sets with multiple books for a better bang for your buck

Revamping the main Dying Days series with new covers


Pulling a few titles to rewrite/re-edit or keep out of print

Recently out of print works like Chelsea Avenue, Creeping Death, Tool Shed and Necromance updated and on sale

always adding new works to the pile

More information on these last few parts will be rolled out over the next few weeks and months, so stay tuned!


#WinterofZombie This November



Another November and another Winter of Zombie event.

This year will be even bigger, with over 40 zombie authors!

Get ready for interviews, guest posts, teasers from their zombie books, giveaways, contests and so much more

In October we’ll begin slowly rolling out the authors involved and come November 1st it will begin!

Make sure you follow Dying Days Zombie blog so you don’t miss any of the posts

Join the Winter of Zombie FB Event so you don’t miss the contests and giveaways


Guest Post: Peter Welmerink


TRANSPORT Triptych Cvr Spread_with Text

By Peter Welmerink

Hello, my name is Peter Welmerink. I have a day job, yet write on the side, in the wee morning hours, when the family and world is still sleeping, and seem to get a few short stories and/or novel length books (or close to) out. And occasionally get the published.

Why? Why do I write?

I don’t know.

I was at a family gathering this past Sunday. A somber whole family gathering, a memorial celebration of the life and passing of my cousin who fought the good fight against cancer, but ultimately lost.

So I was sitting with some of my relatives, and my aging mother. My mother asked my uncle if he’d read any of my TRANSPORT books. You know, my post-POST apocalyptic military-thriller zombie mayhem series that is currently out now (and the last book, TRANSPORT: UNCIVIL WAR is coming out in September). He said YES, he read book two (TRANSPORT: HUNT FOR THE FALLEN) but, though well-written, he said, he didn’t like it. Not his cup of tea: shambling undead, a big ass military vehicle and its quirky crew finding adventure in a land trying to re-build itself.

Even based in my uncle’s home state of Michigan USA! Nope, he didn’t like it.

Now, I don’t know. That might kill some writers, some artists, enthusiasm to continue on, to continue to create, to write in a genre that they love. What’s the use? One person didn’t like it, and told you bluntly. Give it up, man. This endeavor is a waste of time. Story telling. Pah-sha!

No, it didn’t faze me. You know why?

1. At least the guy read it.
2. He might not have liked the book, BUT if he just so happens to run into someone who just so happens to like my book subject, he might tell them to check it out. And if that person likes it, or doesn’t, and perchance passes the word on…and then THAT new person passes it on…

I guess what I am saying, not everyone is going to like the written shit that gushes forth from head, mouth and fingertips. But as long as you keep pushing onward, getting the job done, getting your work out there, there is still a chance of you possibly turning that day job and wee hour writing job around so you can call the latter one the main job.

Or not.

If not, the main thing is: keep writing. It’s in your blood, boys and girls. Keep writing.

author pic

Peter Welmerink ( was born and raised on the west side of pre-apocalyptic Grand Rapids, Michigan. He appreciates his hometown and West Michigan, which is why he enjoys writing tales about it. He writes Fantasy, Military SciFi, and other wanderings into action-adventure. His work has been published in ye olde wood pulp (paper) print and electronic-online publications. He is the co-author of the Viking berserker novel, BEDLAM UNLEASHED, written with Steven Shrewsbury. TRANSPORT is his first solo novel series. He is married with a small barbarian tribe of three boys.

Twitter: @pwelmerink

BLOGS (TRANSPORT and other Alt History Michigan-related posts) (author interviews and all things fantastical)


TRANSPORT, a Michigan-based Military Thriller…with zombies and other beasties (that includes humans), is out now through Seventh Star Press and all fine booksellers. Support your local bookstores and ask for it by name: Peter Welmerink’s TRANSPORT books. Thank you. Rock on.

“Highway To Hell” Will Be Updated in September



Yep, I’ve made the decision to update Highway To Hell from the NC-17 graphic story to a more R rated one. I haven’t rewritten anything other than some of the really sexual parts, while still retaining the rest of the story. 

In the end, I thought the excessively graphic sexual parts did nothing for the story itself. It even took away from it once I went back and reread it. Again, I wrote this novella five years ago and haven’t read it since it was published. 

I also wanted it more in line with the rest of the Dying Days series as well as fit seamlessly with the sequel, Highway To Hell 2, which will be coming on November 3rd. It will also be a kinda-sequel to Dying Days: Origins as well, wrapping up both stories at the same time. 

So on September 1st I will upload the newer version of Highway To Hell. If you want to read the original first, feel free to buy it asap. Once it is gone it won’t be changed back. I’m not sure how Amazon works but I think you can get the updated version if you bought the original previously, as I’m just updating the files. 

I will also be changing the print copy, too… so the few I have in stock at home will eventually be sold at cons and direct from me, too. 

If you’ve read Highway To Hell and have been asking for the sequel, Highway To Hell 2 is now up as a pre-order. It goes live November 3rd but feel free to show the love and loyalty and place your order now. 



Guest Post: Andy Peloquin


Bucelarii - Copy

Why Do We Love Horror So?


Horror as a genre is quite a fascinating one!

What is it about the “things that go bump” that sends a chill down our spine? Why do our hearts race when we read tales of werewolves, vampires, zombies, or demons? What makes us shiver and quake when we read stories about mind-stealing aliens, hordes of nightmarish creatures, and monsters from mythology and lore?

Fear is a pretty interesting emotion. There are two types of fear:

  • Fear of something — Disease, death, theft, suffering, pain, dishonor, loss of money or status, etc.
  • Fear for something — Fear for your family and loved ones.

Which one causes more terror? Neither trumps the other–both are equally terrifying!

When we experience these fears, our body does some interesting things:

  • Our heart speeds up (by as much as 15 BPM faster than our resting heart rate)
  • Our skin temperature drops
  • Our palms begin to sweat
  • Our muscles get all tense and knotted up
  • Our blood pressure rises

What is causing all of these reactions? Why do our bodies act like this?

Simply put: it’s all about evolution.

Animals and humans have evolved over the years (centuries, millennia, etc.), adapting to their environment. Our brain and bodies have evolved slowly, and there are still certain aspects of our physiology and psychology that have not yet evolved. Look at the appendix and the last thoracic vertebra (the tail bone)–neither of these are strictly necessary, but we still have them.

Our psyche has changed a lot over time, but there are still things that remain unchanged. When we see something that is a threat (even if it’s just on a TV screen or in our minds), our bodies react out of instinct. The “animal” within us has that visceral gut reaction of fear and anxiety, and there is no control over it.

Psychologists aren’t quite sure what makes horror and action movies so appealing to us. Some believe that it has to do with the concept of “rites of passage”. Young males had to undergo certain physical and psychological tests and stressors to be considered “men”. Though many of those rites have disappeared from modern society, they’re not entirely gone.

Look at the “hazing” many college students endure. It’s all about “surviving” the torments–physical and mental. Horror movies and books have that same effect on us. They push our bodies to the limits of fear, and they give us a way to prove our courage. The “scarier” the movie or book, the “tougher” we are to survive it unscathed and unaffected by it.

Here’s an interesting thought: all of the physical effects of horror listed above (the increase in blood pressure, the racing heart, the sweaty palms, etc.) are the same effects caused by arousal and sex drive. Perhaps we “enjoy” horror so much not because of the actual horror itself, but because of the reaction it produces in our bodies. The flood of adrenaline, the surge of excitement, and the emotional “rush” caused by horror is a variety of the pleasure we feel when attracted to someone else.

Whatever the reason, horror is a genre that is here to stay! After all, what would we do without a good book or movie that gets our heart racing, sends chills down our spines, and gives us an excuse to cling to that handsome man or pretty woman beside us?


A faceless, nameless assassin. A forgotten past.  The Hunter of Voramis–a killer devoid of morals, or something else altogether? (Blade of the Destroyer–dark fantasy with a look at the underside of human nature)


The Last Bucelarii (Book 1): Blade of the Destroyer

The Hunter of Voramis is the perfect assassin: ruthless, unrelenting, immortal. Yet he is haunted by lost memories, bonded to a cursed dagger that feeds him power yet denies him peace of mind. Within him rages an unquenchable need for blood and death.

When he accepts a contract to avenge the stolen innocence of a girl, the Hunter becomes the prey. The death of a seemingly random target sends him hurtling toward destruction, yet could his path also lead to the truth of his buried past?


Title: The Last Bucelarii (Book 1): Blade of the Destroyer

Author: Andy Peloquin

Official Launch Date: August 21st, 2015

Publication Date: July 11th, 2015

Paperback Price: $15.99

Digital Price: $3.99

Pages: 298

ISBN: 1515038955


Amazon Kindle:

Amazon Paperback:


Book Launch Event:


Andy Peloquin: Lover of All Things Dark and Mysterious

Andy Peloquin–a third culture kid to the core–has loved to read since before he could remember. Sherlock Holmes, the Phantom of the Opera, and Father Brown are just a few of the books that ensnared his imagination as a child.

When he discovered science fiction and fantasy through the pages of writers like Edgar Rice Burroughs, J.R.R Tolkien, and Orson Scott Card, he was immediately hooked and hasn’t looked back since.

Andy’s first attempt at writing produced In the Days: A Tale of the Forgotten Continent. He has learned from the mistakes he made and used the experience to produce Blade of the Destroyer, a book of which he is very proud.

Reading—and now writing—is his favorite escape, and it provides him an outlet for his innate creativity. He is an artist; words are his palette.

His website ( is a second home for him, a place where he can post his thoughts and feelings–along with reviews of books he finds laying around the internet.

He can also be found on his social media pages, such as:



10 Things You Need to Know About Me:

  1. Hot wings, ALWAYS!
  2. I never forget a face, but rarely remember a name.
  3. I’m a head taller than the average person (I’m 6′ 6″)
  4. Marvel > DC
  5. I was born in Japan, and lived there until the age of 14.
  6. Selena Gomez and Five Finger Death Punch are both in my playlist.
  7. Aliens are real, but it’s self-centered of us to believe that they would come to visit Earth.
  8. Watching sports: suck. Playing sports: EPIC!
  9. I earned a purple belt in Karate/Hapkido/Taekwondo.
  10. I dislike most Christmas music, aside from Trans-Siberian Orchestra.


“Creative, gritty, and beautifully dark…fantasy addicts will love it!” — Peter Story, author of Things Grak Hates —

“The fantasy world has a compelling new antihero…the Hunter will terrify and captivate you.” – Eve A Floriste, author of Fresh Cut

“From the first words on the page this fantasy holds the reader spellbound even after the book is finished…his character is very well-defined even if his past is a mystery. Root for an assassin? Oh, yes, one must!” — Carol Conley, for InDTale Magazine

Reblog: Brian Keene News


He might’ve mentioned the interview we did for Arm Cast: Dead Sexy Horror Podcast at Scares That Care Weekend… and a few other important things going on with him…

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