Source: Necromance by Armand Rosamilia
- What is Eden’s End about?
Eden’s End follows the journey of Gabriel who’s an angel, and his human friend who hunts down supernaturals who harm humans. They’re daily jobs come to a halt, when several supernaturals and humans come into pursuit of a powerful entity known as Eden which has the power of creation and destruction. Now Gabriel and Roy must race against these people to find Eden before it falls into the wrong hands.
- When will the show be out, and where?
We are expecting to release it sometime this Fall, and the episodes will be on YouTube. At first, the entire pilot will be released, and afterwards the episodes will be broken up into segments.
- Being independent, how is Eden’s End being made?
In terms of funding, we have set up an Indiegogo page that will help gather funds for the production of the entire season 1 for the show.
- What are the recent successes for leading up to the show?
So far we have released a concept trailer and a short film that kind of serves as a sneak peek to the show. They both have been received well especially on Facebook where the concept trailer has over 11k views, and the short film has gained over 20k views and has been shared by a popular movie trailer page. Will are also submitting the short film to film festivals.
- What is your role in the web series?
I am one of the screenwriters for the episodes. I have help to write the pilot, along with our concept trailer and short film of the web series.
- Why did you want to write for the series?
My brother’s friend approach me because my brother told him how I wrote stories. I like to write, and this was a way for me to expand on my writing since I was already writing short stories for my website, I wanted to add to it.
- What is your experience in writing?
I have been writing creatively for 2 years. I have written 22 fictional short stories which I posted on my website. Their genres range from crime, horror, science fiction, and more. I have also written a few movie articles. 1 of my short stories have been published in my college’s magazine. On top of that I am currently working on a science fiction book of short stories which I plan on putting out on Amazon sometime next year.
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Youtube channel for the show:
Facebook page for the show:
Instagram page for the show:
Some stories require us to create our own ‘Big Bang’, so to speak. In fiction, it’s your world and your rules, but it’s always interesting to make these rules viable. A book can be potent and meaningful if it displays a believable reality, or resembles one. Resonation is an important word. If my novella Screams The Machine connects with a single person and speaks to her or him, it would be a great honor.
Screams The Machine probably started brewing whilst reading about some mind-expanding quantum physics, socioeconomic concerns, technological advancements, existentialism, and the figurative blender of the human condition. I began wondering about the ebb and flow of progress. There’s plenty of material there to pull from, which made me feel all sorts of strange ways about the ‘powers that be,’ and some organizations that have sway over humanity’s future. I came to understand a certain mindset for what it was, ‘Own the resources, own the people.’
Various books kept me busy to the point of cerebral overload. House of Leaves, by Mark Z. Danielewski blew my mind. The Holographic Universe, by Michael Talbot, was intensely interesting. The Hellbound Heart, by Clive Barker. The Power of Myth, Joseph Campbell with Bill Moyers. Will Storr Vs. The Supernatural, by Will Storr. Stephen King’s Danse Macabre. The list could obnoxiously go on during that time period.
Playing an older video game called FEAR helped influence Screams The Machine. The game is a great mixture of horror and science fiction. It’s a first-person shooter, and the world is dark, ominous, and you feel the direness of its plot. The game engine might be outdated now, but playing and beating FEAR amplified some internal noise to accomplish some writing goals.
There were also some raw, basic facts I began realizing about existing. I wanted Screams The Machine to display these facts either directly or symbolically. For example, some realizations were as simple as eating. Whether anyone is vegan, vegetarian, paleo, omnivorous, or whatever they choose to be, we destroy things and consume them—table manners and silverware are very nice, but they don’t change the fact we’re eating the death of something. Then again, I just might be unconsciously repeating what I learned in Humanities class, years ago. For the record, I love a good medium-rare steak—I’m not attempting to take any moral high-ground.
A psychological sense should haunt Screams The Machine as well, an aspect pertaining to incorporeal matters. It’s important to figure out who we are as individuals. What if an advanced organization figures you out first? They know everything, even your thought process. What if they monitored your darkest secrets, dreams, and fetishes? What if we live in a self-aware universe?
I’d completed a few tales before, but Screams The Machine was the first one that felt imperative to write. It seemed like the story was actually happening, and I was a reporter telling you about a perilous reality. I felt visited by a muse, if you will, in all of her badass glory, and she cranked up the mental tunes like a rock ‘n roll champ. A primal fire sparked, and it became impossible to prevent Screams The Machine from happening, for better or worse.
Cash carries a disease; one that’s already killed a large majority of the population and something needs to be done. To stop the crisis from escalating, The Solution (a worldwide organization) is formed and rises to great power. They monitor people’s dreams and shape reality to fit their own wants and needs. In an effort to control existence itself, The Solution is searching for what they believe to be the ultimate tool; a person with the ability to master a deep connection with the mysterious, pervasive energy known only as The Ultimate Reality.
Watching her neighborhood decay, her friends and family perish, Elizabeth Reznik needs to find meaning in her life. She discovers her existence is more meaningful than she could ever have imagined. Operatives of The Solution seek her out, take her from her home and perform brutal experiments on her. Their conclusion? Elizabeth is the one they have been searching for; she is the key to gaining complete power.
The stratagem of The Solution is single minded – own the resources and you own the people. And the last resource available is free will. They will own your thoughts, they will orchestrate your dreams; they will dine on your fears. But there is always a cog in the machine… or in this case, a scream.
Sam Mortimer has worked the graveyard shift in law enforcement, attended film school, and has been writing strange stories since age eleven. He loves reading, music, and strives to meet the demands of his five cats.
The Music of Our Literary Worlds
Every movie has a soundtrack. Each scene is brought to life by the tunes playing in the background during a fight, a love scene, or the climactic ending. Books can be the same in that regard. When I write, I have my headphones on and I’m rocking out to whatever metal song comes out of the shuffle. There may be some rock, but metal is my poison.
When I wrote The Calling, I had to step back and think about the time period I was writing in. The novella isn’t set in the present, so I had to try to go with what the sounds of the time were. Most of the year was dominated by pop and the birth of Nu Metal, but here are the ten songs I put on a track list and why they helped me to set the mood for The Calling.
- Aerosmith – Living on the Edge: I love Aerosmith and I felt this was a good song to listen to in the book’s opening chapter. Ashley has to come face-to-face with the entity she’d been running from, living on the edge since she escaped it the last time.
- Soundgarden – Fell on Black Days: I miss Chris Cornell already and this song is Frank Hill during the entire book. He never seems to be in a good spot as White Creek’s sheriff and the events of the book really fit with the vibe of the song.
- Slayer – Serenity in Murder: Something is killing people in White Creek and when I got to places where a death was about to happen, I put this on to set my mood. I can imagine the killer would like this song too. It is dark and moody with a good kick to the teeth.
- Tom Petty – Mary Jane’s Last Dance: There is a scene with some death and this is the song I heard playing in the car as people died. There seems to be a theme here…
- Nine Inch Nails – Hurt: This is another song I had in mind for Frank while he sits alone on Thanksgiving Day. Over all, I wanted the reader to feel the isolation and responsibility Frank puts on himself to protect White Creek and how those same feelings influence his decisions later in the book.
- BlackHawk – Every Once and a While: Telly’s sits on the outer edge of the town and is really a blue-collar bar where the workers of the town go to drink beer and listen to some country music on the jukebox. This was a song from around the same time and brought back all kinds of high school memories.
- Garth Brooks – The Night Will Only Know: This was the other song I picked for Telly’s and if you listen to it the second time Carl visits the bar, you get a sense of where things are heading. While released in 1993; this song was a favorite of mine too because of how dark the song is and really nobody has a happy ending in it either.
- Queensryche – I am I: The guys from Queensryche are another of my favorite bands and this song is a perfect one for the book. Who are we? Well, I am I and I can be nothing else but I. The book deals with identity and how we can only be what we are intended to be in the end. We can run and hide from our true nature, but somehow, the real us comes out in the end.
- Warren G featuring Nate Dogg – Regulate: When I imagined Prater being out on patrol in the book, I heard him listening to this song and trying to rap along with it. Of course, he does a horrible job, but it helps him get through those cold nights in White Creek.
- Megadeth – A Tout Le Monde: When they released this song in 1994, the video was banned from MTV because they thought the song represented suicide. The song is more about coming to the end of your life and saying goodbye with dignity and respect for those being left behind. There are many journeys ending in The Calling, but for Frank Hill, his life is only now beginning. I felt this was the perfect song for him to have playing in the background when he says his last goodbyes in the end.
So, if you have some of these tunes handy, listen to them while you read the book and see if you agree with how they were used in my head. Maybe someday we’ll be able to watch the movie adaptation together and listen to the same songs on the big screen. I like soundtracks…
The Calling – Brent Abell
Carl Volker has a problem. After waking one morning with a hangover to find his wife gone, he notices a crow stalking around his yard. As days go by with no word from his wife, more and more crows gather.
Frank Hill is sheriff in the seemingly pleasant town of White Creek. Up until recently, his job has been fairly mundane but after a recent spree of murders, bodies are beginning to pile up and Frank has no clue as to who the killer may be.
White Creek has kept its secrets hidden well over the years but the sins of its past are coming to light; the town harbors an evil and the bindings that keep it in check are beginning to unravel.
As Frank and Carl’s friendship is tested and their destinies are revealed, the dead accumulate while the crows watch and The Calling begins!
Brent Abell lives in Southern Indiana with his wife, sons, and a pug who sits around eating the souls of wayward people. His stories have been featured in over 30 publications from multiple presses. His work includes his novella In Memoriam, collection Wicked Tales for Wicked People, and novel Southern Devils; which are available now. He also co-authored the horror-comedy Hellmouth series. Currently, he is working on the second book in the Southern Devils series and the next book with Frank Hill in the White Creek Saga.
Facebook: Brent T. Abell
Source: When Reader Targeting Goes Wrong
This week, A Perfect 10 features author Armand Rosamilia. Armand is living proof that you can write in multiple genres and have success. I had the pleasure of meeting him in person at a mini comic book convention in Jacksonville, Florida just by chance. My daughter made A/B honor roll and her chosen reward is […]
Arm Cast: Dead Sexy Podcast host Armand Rosamilia and his wife Shelly went on a trip again this April. It was part book signings, part anniversary, part sightseeing, part work and all parts fun! The couple chat about a bunch of people they saw and a bunch of places they visited and a bunch of […] […]
Reblog: Lucas Pederson’s Scares That Care Campaign
I’m editing a novel Fall to Rise for Dark Recesses Press, by an author called Lucas Pederson. DRP intends to release the guys book at the Scares That Care Weekend,July 21-23, 2017 DOUBLETREE BY HILTON WILLIAMSBURG, VA . That, in and of itself isnt really unusual, however, for Lucas it’s a bit personal.
Lucas’ mother has developed Amyotrophic Lateral Sclerosis which is this incurable neurological disease which in the end stops your breathing and kills you. So going to Scares That Care Weekend would be a really big deal for him.
Lucas has created a gofundme campaign to raise some money to assist Lucas to attend his own book launch, but also to put some funds towards supporting his mother’s medical bills and, with luck, the Scares that Care charity. Click the go fund me logo below to go to Lucas’ campaign page and please consider donating…
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Reblog: “Real” writers don’t just write.
Listening to a podcast on best publishing practices, I felt the urge to grind my teeth. The topic was about getting paid for our work. This comes up from time to time when numbers don’t appear to add up. Did you get all the money Amazon owes you for reads within Select? Is Pronoun’s reporting of book sales up to speed and robust? Those were concerns I’ve heard before but that’s not really what this post is about. You and I are what this post is about.
The podcast guru scolded writers who are also worriers. In essence, the advice was not to worry about such piddly details as addition. Just write your next book. A “real” writer, so the wisdom went, doesn’t have time to complain or track sales or look at spreadsheets. Trying to hold Amazon accountable for what may or may not be a banking, software or reporting issue is a…
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Musical Inspiration for the Wild Weird West
Writing takes me down many paths through the tales I spin. Each dusty trail taken was influenced in a different manner. Sometimes, it is something as simple as a grouping of trees around a large sandstone boulder. Other times, an old film sparks a flame of creativity. Many things activate the part of my brain that manufactures the stories I write. However, music is one of the most important tools used for inspiration.
A particular song can put me in the saddle in the middle of a cattle drive. Often, a tune can make me smell the leather of the saddle beneath me and feel the sun on my forehead, or a cold rain slapping my face. Music can remove my mind from my body and teleport it through space and time to an era when vigilante justice was meted out quickly with a gun or a noose.
In my collection of Wild West collides with horror tales, Eerie Trails of the Wild Weird West, music was instrumental in nearly all my yarns. Though most of the stories in this collection were not directly inspired by a particular song, listening to a special song put me in a proper frame of mind. On some occasions, I listened to the same song repeatedly as I weaved the fabric of a tale.
Take the story, Willows of the Mourning Dove; I listened to Running Bear by Sonny James several times, as I penned the tale. Though the character of Mourning Dove was very loosely based on the female love interest in the song, little else about the story resembles the tune. Still, the music and lyrics inspired me as I wrote. Had I listened to another song while I put words to page, the story would have most likely taken a different path.
While inking The Jonah Herd, there were two songs on my playlist, Stampede by Chris Ledoux and Rawhide by Frankie Laine. Other than both using a cattle drive as the subject matter, nothing about the story suggests a tie to either tune. Nonetheless, both kept my mind firmly planted on a trail drive. Both brought me to a place where I could feel the mud from the hooves of horses and cattle hitting my face and see the rain as it dripped from the brim of my hat.
As I sat writing The Guns of Clay Allison, the tune Big Iron by Marty Robbins played almost exclusively. There is absolutely no link between the song and tale, but I knew I needed to listen to it if I was to pen the story. It gave me the sense of using a primitive six-shooter and filled my nose with the scent of spent gunpowder.
In the story Collateral Winds, the song Seven Spanish Angels by Willie Nelson and Ray Charles inspired and influenced the story. A tale of a path taken leading to regret and remorse, the impact the tune had on the storyline is evident. Sometimes, decisions made affect not only the people in our sight, but also others we fail to notice. Both the story and song depict the ramifications of a life lived by the gun.
The Devil’s Herd was inspired by two songs, Ghost Riders in the Sky by Johnny Cash and to a lesser extent, El Paso by Marty Robbins. Elements of this story are derived from the lyrics of both tunes. Though I listened to the latter more often, the other had more influence on the path the story took. The imagery created by both songs helped set the tone of a long ride across a barren landscape in brutal heat to an unknown destiny.
As you read the dusty tales in Eerie Trails of the Wild Weird West, feel free to play the forementioned songs or create a playlist of your favorite cowboy tunes. Let the music and the stories take you back in space and time to a rowdy era where vigilante justice was the law and guns ruled the land.
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Eerie Trails… of the Wild Weird West
In this collection of fourteen strange tales from the wild west, Cowboys and Indians face down supernatural beings of all varieties – from vampires and werewolves; to ghosts and vengeful spirits; to mythological creatures.
Saddle up cowboys and ladies alike, once the journey begins, Eerie Trails of the Wild Weird West will take you down a strange and bizarre path though the old west that you’ve never been on before.
About the Author — Maynard Blackoak is a freelance writer living in the backwoods of Pawnee County, Oklahoma. He draws upon the sights of neglect and unusual sounds around him for inspiration. A bit of a recluse, he can often be found strolling through an old, forgotten cemetery or in the woods among the twisted black oaks and native elms under the light of the moon.
Facebook: Maynard Blackoak
Music to Write Horror By
Jessica B. Bell
When I write, I always have music playing, sometimes just ambient instrumental music – Brian Eno has several great soundscape albums that are great – but often I want a certain mood to write by. When I was writing a lot of the stories in Viscera I would often have these on in the background.
Godspeed You! Black Emperor – F#A#(Infinity) : This is an album by a Canadian band known for its long, experimental soundscapes, combining live music with soundbytes and spoken word. It’s dark and atmospheric, and is my go to when writing. If you’ve seen the brilliant film 28 Days Later, you may recognize their song East Hastings/Dead Flag Blues. It has a spoken word piece at the beginning of the song about being trapped in the belly of a machine that is bleeding to death that gives me chills:
King Crimson – In the Court of the Crimson King: Someone once said that this music was the sound of the apocalypse, and they might be right. The title track has been used in the dystopian film Children of Men and is instantly recognizable. If I’m ever writing something with some sort of demon or elder god in it, this is the record I put on. It’s grand and cinematic, and if you’re going to be writing something bleak, this is the track you want to be listening to.
Tom Waits – Mule Variations: When I was writing CHUK – a novel set in the Louisiana bayou – this was on my turntable nearly constantly. It’s a great album altogether, but Low Side of the Road could be the theme song for the HBO adaption of CHUK (it’ll happen, you’ll see). There’s just something about Tom Waits’ gravelly voice and Kurt Weill-esque musical sensibilities that make his music excellent for creepy writing.
Nine Inch Nails – The Downward Spiral: Nobody does anger quite so eloquently as Trent Reznor, and if you are writing something intended to make the skin crawl – or if you’re just writing something bloody violent and angry, then you want to throw on this album, beginning to end. The industrial noises in the song Reptile sound like Godspeed’s horrible machine, bleeding to death. If they ever made a film out of my story Paraxenogenesis, this would be the soundtrack.
Sigur Rós – Ágætis Byrjun: I have no idea what this Icelandic band is singing about , but it is dark and lovely. It’s actually very soothing, and puts me in a mood to write. There’s a short story in Viscera – my new collection of strange tales, published by Sirens Call Publications (and available now) called The Queen is Dead that could definitely be read with Sigur Rós playing in the background.
Finally, Pink Floyd’s near-instrumental Careful With That Axe, Eugene was the inspiration for the story Banshee (also in Viscera). The song just sounds like a chase across barren, icy tundra. Listen to this song before (or while) you read the story, and I think you’ll see what I mean.
What music do you listen to while writing? Is it just your personal favourites, or does the music you listen to influence your writing, and if so, in what way?
Jessica B. Bell is a Canadian writer of strange fiction. It is rumoured that she lives in a damp, dark basement, writing her twisted tales in her own blood on faded yellow parchment. Her stories have been published in various anthologies, the most recent of which is Voices. She also writes under the name Helena Hann-Basquiat, and has published two novels on the metafictional topic of Jessica B. Bell, titled Jessica and Singularity. A third and final novel is planned for 2017.
Find more of Jessica’s (and Helena’s) writing at whoisjessica.com
Viscera — Jessica B. Bell
Viscera is a collection of short stories full of all the things that make you squirm, cringe, and laugh when you know you shouldn’t. You’ll remember why you’re afraid of the dark and experience an abundance of weird creatures: witches, ancient gods, and all-too-human monsters – the scariest of all.
Indulge your twisted sense of humor with stories about unconventional werewolves and a woman with a frog fetish. Know what it’s like to arrive too late to save an unusual alien abductee, or giggle with sick delight as a woman serves up a special Hasenpfeffer dinner to her pig of a husband.
Settle in for bedtime stories fit for monsters.
Viscera will grab you by the gut and squeeze, making you cry for mercy—or laugh like a fiend!
Reblog: Amazon Myth-Busting
Reblog: Mythbusting The Amazon Algorithm – Reviews and Ranking For Authors
How to get the best out of your reviews and sales to rank high on Amazon without the myths from former search expert and COO of SPR, Cate Baum.
Despite many educated guesses that seem to have passed into urban legend in self-publishing communities online, there are no secrets to the Amazon ranking system.
I have spent the last few months tracking down programmers, algorithm experts, and reading technical documentation about Amazon’s algorithm, and the documentation that is provided online by Amazon at Amazon Seller Central and KDP. What I didn’t do was talk to any authors or bloggers, because that seems to be where the myths are coming from.
My first takehome fact for authors is that Amazon’s ranking is not a great mystery that authors must slave over…
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The Horror Show with Brian Keene is celebrating their 100th episode of the podcast! CLICK HERE TO PURCHASE THE SHIRT! What better way to do it than to raise money for a charity they hold near and d…