Monthly Archives: July 2015

#WinterofZombie is Coming…



This is more or less a teaser for ya…

Once again, November will be Winter of Zombie blog tour time and this year I am opening it up to not only the great zombie authors I’ve worked with in the past, but the new ones as well!

Starting September 1st (or around there) I will begin accepting zombie authors onto the list who are interested in participating in the event. A few things you need to know before you send me a message in September, though:

1. You have to have RELEASED a Zombie book. Seems common sense, but…

2. Your Zombie release has to be out before October 15th so I can get all the material for it well ahead of time. Unfortunately, I will no longer accept authors promoting books being released in November or beyond, since it’s (quite frankly) a pain in the ass to update posts, especially when you’re talking 150+ posts I put together for the month. You need to have everything ready to go as soon as I ask for it. 

3. You’ll be expected to do a Spotlight On interview, 2 (or more) Guest Posts and a teaser for your Zombie release. You’re also expected to share all of the other posts each day and spread the word. 

4. The goal is only 35 Zombie authors, and we had three times that many not able to get in during the Summer of Zombie event, so this will be a First Come First Served type of deal. I make ALL decisions and if you’ve been on previous tours you know I don’t take kindly to slackers and those who only promote themselves (those people won’t be on the tour again)

5. Got it? September 1st send me an e-mail to with WINTER OF ZOMBIE in the subject line and any questions you have and tell me you want in. I’ll begin putting the list together and asking for material asap. I create a secret group for the authors involved and all the info will be there, too. Deadline will be October 15th for all material to be in. Gives you plenty of time if accepted. NO EXCEPTIONS this year, either. You’re either 100% in or you’re not. 

6. The actual event page (where all the actual posts will go and people can join and read all of them) is now live ahead of time at WINTER OF ZOMBIE on Facebook. Join it and feel free to add all of your fans and friends, too! 

Armand Rosamilia



Guest Post: Joseph Falank




There was no way to know his wife was going to be murdered; the most horrific twist of irony when considering a discussion that took place on their second date some thirteen years earlier. They had been sharing stories of the worst dates they’d ever been on. The kind of thing two people talk about after too much wine.

He spent much of that night staring across the table at the woman he believed far too beautiful for him. This wasn’t Miles selling himself short, thinking she was way beyond his league; it’s just that he wasn’t a complete idiot to the fact that he was the luckiest guy sitting in Tony’s Restaurant (and made sure to pray his silent thanks when she got up to use the bathroom). To further drive this point forward came numerous sly gestures of the congratulatory kind from other patrons sitting nearby—winks and nods, even a big ol’ thumbs-up from an older man in a pink polo two tables away, he who also licked his rubbery lips suggestively at the same time. Of these silent manners of congrats directed his way Miles was appreciative; of the old man a bit weirded out. It’s always nice to know when other people think you’ve scored well beyond your means.

This girl was indeed beautiful. Stunning, even. Dressed in simple black and pinstripe slacks over leather boots that itched the curiosity as to how high they traveled up her calf, along with a turquoise wraparound sweater that matched her eyes. Her shoulder length auburn hair had been straightened. This, he learned through a prior conversation, took considerable time and patience and effort to rid the natural kink she maintained fresh out of the shower. The enticing image of her stepping out of the tub that popped in his head resulted in another considerable itch of curiosity.

Such distracting thoughts, however, needed to be shoved out of mind. If she caught him not paying attention because he was too busy picturing what she looked like naked there would be a sharp decline in the possibility of that fantasy becoming a reality. He’d already missed out on something she said about her mother having Lyme disease. Or maybe that her mother was allergic to limes. He couldn’t remember.

So instead he lingered on the beauty he could see rather than imagined. Her makeup was simple. No bold raccoon eyes, no rosy enhancement of the cheeks; her lipstick was non-existent, only a sheen layer of Blistex to keep them from chapping. She was nothing like the lineup of painted women dolled up in fishnets in the bar at the front of the restaurant, whose heavy application rivaled rodeo clowns and left behind thick residues of ruby red on their downed glasses of Chardonnay.

Those who also sported purchased tans. In the middle of winter.

Miles would not call Stephanie hot by any means. He always regarded that term as derogatory. A woman’s hotness factor was determined by the amount of add-ons and touchups; tucks here, there, everything defying gravity and age. Barely-there clothing that barely covered up what really wasn’t there underneath it all, beneath the glossy surface. Being hot never improved upon a terrible personality. And hot women tended to have more mileage on them than a New York City taxi, along with a comparable amount of work performed under the hood.

This woman, Stephanie, wasn’t supplemented, augmented, or boosted. She wasn’t fake. No Plain Jane either, she was simply beauty and comfort. From her clothes to her fair skin to the way she carried herself. Humble, casual, and confident without an air of pretentiousness. Everything he had been looking for. Everything that made him feel relaxed, feel grounded, when his anxiety wanted to skyrocket him through the paneled ceiling.

And thank God when it came time to order she gave the waiter actual items off the entrée list. If she had ordered a salad, Miles may have gone back to picturing her naked. At that point who cared if he paid attention?

The topic of their worst dates came up midway through their last refill of Pinot Noir. Both were on their fourth glass.

Miles went first.

“Well, does it count if I got stood up?”

Stephanie flashed a pouty frown full of sympathy. “Oh no, that really happened to you?”

He took a shallow gulp from his glass and shrugged in a manner that said yeah, oh well, what can you do?

“Why didn’t she show up?”

Miles explained, “I should tell you first that this girl had been divorced for a while. We went out a couple of times and things were going really well. She was an NP over at Wilson. We were going to meet up for coffee on a Sunday afternoon after her shift ended. So I got to the café, an hour passed. I tried texting, I tried calling. Nothing.”

“So she never said anything?”

“Oh she did,” Miles said. He took another sip of wine. “About four days later. She sent me a text and apologized. She said she just couldn’t go through with our date because right as she was leaving work she got really sick. Turned out she was pregnant. With her ex-husband’s baby.”

The reaction was priceless. Stephanie’s eyes doubled in size. Her mouth almost made a perfect O, the awe lowering her jaw like a shocked cartoon character. “No way!”

Full of pride, Miles lifted his glass by the stem and tipped it in his date’s direction. “Beat that, if you can.” He drained what red was left.

Before Stephanie began the story of her worst date she drained the remainder of the wine in her glass as well, about two fingers full, and said she’d need another refill on hand while telling it, but asked, “How long ago were you stood up?”

Miles got the attention of a waiter. “About three weeks ago.”

“Did you meet her on the site?” She was referring to, the online dating pool where she and Miles had begun conversing a week ago.

Miles nodded. A waiter arrived at their table with a fresh bottle of Pinot. He went through the process of unwrapping the cork and opening the bottle in front of them. Their glasses were filled three-fourths to the rim. Miles paused until the waiter was gone before resuming their conversation. “With the exception of you, that site’s been a bust.”

Stephanie smiled. “That’s nice of you to say, but I saw all the winks and pokes you got on your profile page. There were a lot of girls interested in you. What if I’m keeping you from one of them, maybe the one you’re supposed to be with?”

He waited for the rush of the wine to hit his senses. There was the feeling of slick warmth sliding down his throat. He felt a quiver in his stomach that was begging for food but fueling on red. It took a few seconds before the fog of the alcohol blossomed inside of him. “I don’t think it works that way,” he said.

After a healthy swallow of her own, Stephanie reapplied a thin layer of Blistex. “You don’t, huh?”

“There’s always a reason for things,” explained Miles. He could see it then on her face, that pretty face tinted by the burst capillaries in her cheeks. By the adorable twitch in her nose something had clicked in Stephanie’s mind. She leaned in closer, their conversation turning exclusive. Private. The remainder of those in the restaurant were cut off. It was only the two of them that existed now. Miles felt a distinct rise in the temperature around him. That likely had to do with the fact that when Stephanie leaned toward him the V in her sweater opened slightly, revealing a bit more of her skin and the top of the line that began her cleavage. He fought to keep eye contact.

“So then,” she said, “are you implying there’s a reason you and I are here right now?”

The provocative way she worded the question, the emphasis and soft tone she used made him wonder if she was feeling out their situation. She was being quite forward, and this was likely due to her own skimming under the veil of her own alcoholic haze. He liked her, definitely. A lot. But in his current state—where the lights in the room were just beginning to glow soft and puffy—he didn’t want to assume anything. This—their second meeting and first official date—had been going perfectly so far. No need to scare her off.

“I just think there’s a reason for everything,” he said. He then took up his glass in a private toast. “Even the strangest things happen for a reason.”


The Painted Lady. Excerpt courtesy of Joseph Falank (author) and Winter Goose Publishing (publisher).

All rights reserved. 2015.





Joseph Falank lives with his wife and daughter in his hometown in upstate New York. He is the author of SEEING, a quiet coming-of-age tale, and the upcoming THE PAINTED LADY, a fractured supernatural mystery/thriller that sees a widower encounter strange happenings after meeting an unusual woman. THE PAINTED LADY will be available on August 5thwherever books are sold.



Armand Rosamilia – Summer of Zombie Box Set


Armand Rosamilia #SummerofZombie #dyingdays

Life With Words

Summer of Zombie Box Set

What is the Summer of Zombie Box Set?

What authors and books are included?

Meet one of the authors and hear a tidbit about his book below:

Name: Armand Rosamilia

Author Armand Rosamilia

What is the title of your book that’s included in the Summer of Zombie Box Set? Dying Days: Origins

Dying Days: Origins by Armand Rosamilia

Who is your favorite character in that book? Definitely the lead, Tosha Shorb. She was already a standout for me and readers from Dying Days 2, and this is her prequel to explain how the zombie apocalypse began for her and her twin sister.

Are there any “author secrets” in your title (things you included or ideas you had that aren’t shared with readers in the title)? Of course! There are several characters who appear in other parts of the Dying Days world, and hints about a few long-term plot twists throughout. For instance, the Lyssa character will appear in

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Guest Post: Roger Jackson



The Song of the Counter-Intuitive


Roger Jackson

Every writer has their quirks, I think. Whether it be a constant supply of coffee chuckling blackly to itself beside them, or a place where the sunlight is perfect, or even, as Annie Wilkes suggests in Misery, a pair of handmade writing slippers, every writer has a gimmick of their own, perhaps even the smallest talisman or routine that greases the wheels of the writing process. A lot of writers need peace and quiet, absolute silence when they create, but it’s fair to say that most authors I’ve spoken to listen to music when they write, perhaps with the volume cranked up to its apex, rattling the kitchenware like a poltergeist, perhaps with their ears couched in the intimate embrace of an isolating pair of headphones. They listen to what they like, what relaxes them. They listen to what their characters like, or the music that’s playing in a particular scene. They listen to movie soundtracks, something that fits or sets the mood of the moments they’re creating.

I’ve done that, and sometimes it works, but I’ve found something else that works, too. Ones instinct is to listen to music that’s appropriate for a scene, the driving beats of a chase or a struggle, the sweeping strings of a romantic interlude. That works, but I’ve also found it useful to take a different approach, to think counter-intuitively about what music might accompany certain given moments.

To offer an example. I’ve a scene in a novel I’ve written where a character is confronted by a horribly twisted version of a deceased family member. Let’s give this character the entirely fake name of Steve, just in case the novel is ever sold, and someone reading this reads the novel and is like, “Hey, I know what happens in this part! Spoilers! This novel is DEAD to me!” (how’s that for writerly optimism?). Anyways, Steve is trapped with this apparition, and I’ve paced the scene very quickly, nice and terse, lots of breathless paragraphs as Steve’s scared companion tries to break into the room in which he’s trapped with something monstrous.

And it is monstrous. Like most Horror writers, I’m pretty proud of my twisted track record, proud of any moments I’ve written that have touched the reader with fear or disgust or dread. I’d like to think I’ve done a few of those, but this scene … it’s dark. It’s the darkest thing I’ve ever written, maybe. Hopefully, there’s a raw, visceral quality to it that’ll unsettle. There’s imagery, yes, but I don’t think that’s where the Horror comes from. I don’t think it comes from how the monster moves, or what it’s saying, or the terrible transformation that the dead family member seems to have undergone. I think the Horror of that particular moment comes from how heartbreaking it is for Steve to see what’s happened to someone so well-loved, so very missed. He’s terrified, yes, but if we’re playing a kind of psychological rock-paper-scissors game here, then in this instance heartbreak vanquishes terror, hands down.

And so the Horror is borne not from what Steve can see, but what he can feel, and what he feels is a terrible, empty grief, a moment that needs not a soundtrack of action, where there’s an apparition advancing and a concerned companion trying to break in fast enough to rescue him, but a sadder tune, one that reflects the core of the scene. That was the kind of music I listened to when I wrote it, and it seemed to give the sequence the tone that it needed.

I’d suggest giving it a try. Maybe you’re writing something and the words are flowing but the mood of the scene, the beating heart of it, is stuttering on the page. It might be because the coffee is cold, or the sunlight is fading, or even that your handmade writing slippers are pinching your toes, but it might be that your chosen music isn’t oiling the cogs of your imagination like it should.

It might be that you, and the moment your characters find themselves in, need a different song.




Roger Jackson lives in the United Kingdom, drinking tea and owning more Geeky tee-shirts than he will ever live long enough to wear, unless he lives forever, which is sort of the plan. He writes scary stories because he has to, and the most recent to scramble from the graveyard of his brain are the short story, “No-Man’s Land” in the Grey Matter Press anthology Equilibrium Overturned, and his novella, “Cradle Of The Dead” from BloodBound Books. Writing about himself in the third person really creeps him out.


Twitter: @jabe842


The Sequel Life


“Hoboken Hellmouth” is released! #horror #humor

Our Darkest Fears

hobokenSometimes a good story needs to be told…

… or in the case of Hoboken Hellmouth, four authors couldn’t leave a story alone.

Solomon, the hero and reigning Hellmouth, is back for another round of crazy supernatural shenanigans in the follow up to the wildly irreverent Hollywood Hellmouth. Why did Armand Rosamilia, Jay Wilburn, Jack Wallen, and myself return to the Hellmouth’s world to torture poor Solomon again?

Because in Hollywood, it’s all about the sequel baby! We were also bound to do it because we couldn’t write a trilogy without having a second book. I mean give us some credit…

No seriously, why would we go back and bring a down-on-his-luck Solomon cross-country to Jersey of all places?

We did because we still had something to say. The first book ended up becoming our satirical look at Hollywood and the lengths people will go to be successful in such an environment…

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Guest Post: Kevin Bond



Why You Should Carry A Rock in the Zombie Apocalypse

We’ve all seen the meme: “Quick! The first thing on your left is your weapon in the zombie apocalypse! What is it?”

It always ends up being a paperclip, a coffee cup, or a guitar pick, and unless you’re Riddick, none of those are going to be useful for killing zombies.

Of course, a kitchen knife isn’t far away, and you’ve probably got a baseball bat in the garage. Those of us who are more prepared may have an arsenal for backup, gun enthusiasts and knife collectors. You might even have a detailed plan for how to survive the zombie apocalypse.

I’m going to propose a different line of thinking, though, and I guarantee you’ve never thought of it before:

You should carry a rock in the zombie apocalypse.

Not a boulder, not a rock the size of a soccer ball. Just a simple stone that will fit into the palm of your hand. And it’s not a big deal if you lose this stone. It’s very easy to find a new one.


Because it will save your life.

You can carry a rock in the palm of your hand, out of sight, and it becomes a projectile weapon. You’ll need to train yourself to aim well, so throw a lot.

You could throw a knife too, but a knife is not necessarily expendable, and it’s harder to throw a knife straight than it is to throw a rock. And again, rocks are easy to find.

If you don’t have a spring-assisted knife or a straight blade in your hand already, then if you get a sudden surprise, you may not have enough time to get your knife out and ready. Holding on to a small stone means that you have an instant weapon for instant surprises, like zombies, or thieves.

A stone is much more dense than your hands, so bashing someone’s face in with it will do much more damage than you could do with your hands.

Plus, if you find yourself in a sudden end of the world situation, and you haven’t prepared for it, you may not have a weapon. Having a rock will give you something hard to hit with.

Thousands of years ago, it was common for people to be killed by stoning them. The blunt force trauma from multiple rock projectiles was enough to do major damage to a person.

You don’t need to have fancy weapons to kill someone if you have to. Carrying a rock can provide you with an easy way to distract a zombie or a person who wants to kill you or wants your stuff.
Even if you’re not under a sudden attack, it’s not noticeable that you’re holding something (go for a thinner, smooth rock), so as long as you have good aim, throwing it at the person should give you enough time to escape.

I guarantee this will work, because no one is thinking like this. Throwing rocks at people is just so unheard of.

Remember when you were a little kid and you were throwing rocks at other kids on the playground? No? Well then, I guess I was the weirdo. Anyway, your mom scolded you, and it’s kind of ingrained in your head not to throw things at people.

No one is going to suspect that you’re prepared to throw a rock at them. Practice throwing, and your impact will send them a very clear message.

There may be times when you don’t want to escape, but instead want to steal whatever that person has (remember, it’s the end of days, and just about anything goes) before they steal from you and leave you for dead. In that case, hitting them with that rock will hurt and distract them long enough for you to close in for the kill.

In case you run into a group of scavengers, though, your best bet is to run and live to fight another day.

For zombies, it doesn’t matter if that rock hurts them, because it won’t kill them, and it won’t send them down to the ground unless you throw a really mean rock. The distraction is what you’re after. Hit them to slow them down so you have enough time to grab your zombie-killing weapon, or to give yourself enough time to run past them.

For multiple zombies, throwing a rock won’t work. For groups of zombies I recommend just hightailing it out of there.

You can also use a rock as a noise distraction, for zombies or people. Use it to trick your pursuers into following the sound, or to distract them from your sneak attack!

I hope I’ve convinced you to add a rock to your arsenal of zombie weapons. It’s an easy item to get, and it has a couple of good uses in certain situations. Give yourself this edge against your enemies, and happy surviving!


About Kevin: Kevin Bond is the author of, a zombie-themed survivalist website. It is expanding to include makeup tutorials, survival guides, product reviews, and even a zombie shop!

Guest Post: John L. Davis IV



“Horrors” How I See It
            Something dark, slimy, gruesome crawls from below, sharp white teeth bared and ready to snap closed on an unsuspecting victim.  Those teeth will easily shred flesh; the jaws can crack bone, disturbingly sexual fleshy red lips seal around jagged shards of bone and draw out the marrow. 
            This nightmare beast isn’t something from a new horror movie, or a recent novel, it’s that thing inside the reader, that creature reveling in the dark tales of horror.  It’s one side of the bloody coin of fear we readers trade in when delving into a novel of terror. 
            The other side is the cowering thing, the one hiding from the beast, afraid of the darkness, afraid of the words. 
            When reading that truly terrifying novel and you find yourself turning on every light in the house, or pulling your feet up over the edge of the bed, that’s the cowering thing that has to draw away, to hide in the light.
            But you keep reading, crawling ever deeper into the dark pit, searching out that next thing to terrify. 
            It is in the center of this duality that the reader and writer of horror can most closely examine the human condition and in far more depth, I believe, than any other genre. 
            In horror fiction the fluff of niceties is often blown away by a throat-ripping scream.  Pomp is hacked to pieces like two horny teenagers in a backwoods cabin.  You’re left with bleak and nearly hopeless circumstance.
            In that circumstance are the dark things and the light things that make us who we are and both can be difficult to look at head on, but when you read about that zombie shuffling toward the now-weaponless hero backed into a corner with nowhere to go, in that moment you are both the zombie and the hero.  The dark and the light.
            Here the beast delights, savoring the scent of fear exuded by the small thing that hides, turns away, curling toes up beneath the covers.  Then that moment has passed, and the reader moves on.
            The cowering creature reads on in hopes that the hero wins, and it can come out of hiding.  The creature lurking in dread waits silently for the next flash of panic to leap out, claws slashing, hoping to tear something away.
            This is horror the way I see it. 
Ever since I first read Dean Koontz’ “Phantoms”, or Stephen King’s “The Shining” I’ve had a  dark love affair with every nightmare inducing permutation of horror literature.  From the splatterpunk ravings of John Skip and Craig Spector, to Shirley Jackson’s dark and brooding “We Have Always Lived in the Castle,” to the twisted brilliance of Lovecraft and Poe, I have been darkled by things that claw at the imagination.
Horror, to me, is the one form of literature that shines a blacklight on humanity, revealing those things normally not seen. Then the blades or claws come out, slashing at our perceptions, permitting the reader to view the world with the flesh peeled away, the glistening redness beneath exposing the reality of all that we are and can be, both beast and simpering coward and all that lies between.
John L. Davis, IV is an avid reader who enjoys adding to his ever-expanding home library and talking books with pretty much anyone at any time. John lives in Hannibal, MO, with his books, his wife — Erica, daughters — Astrid and Hannah, and their much-loved pooch — Pixie. He loves to hear from his readers, so stop by and converse about life, love, and the pursuit of zombies.  He is the author of the American Revenant series, available at

Guest Post: Alyssa Cooper


A Centuries Old Legend – Brought to Life

A few years ago, my parents bought a trailer about 25km north of the city of Peterborough. We started spending every weekend there through the summer, a release for all of us after the work week. My partner, who grew up in Peterborough, spent the days showing me the city, introducing me to its history – and I immediately fell in love.


Peterborough is known as the most haunted city in Ontario – most of the ghosts that the city boasts are found in the Trent Severn Canal Lock, a hydraulic lift lock that was constructed over a hundred years ago. One man died during construction of the massive structure, falling into the shell of a concrete pillar – his body was eventually covered over with concrete, becoming a part of the pillar, when it became clear it would be too difficult to remove. After the structure was completed, a painter fell to his death from the very same pillar, when his scaffolding tipped. Years later, a woman threw herself from the top of the lock when her son was married against her wishes – her son followed her down five days later. All of these dead have been seen and heard by workers and visitors ever since, wandering tunnels, whispering and screaming, waiting at the tops of the pillars, and looking out over the river.

2014-05-24 12.13.51


But there is one ghost haunting the lift lock that is more famous than all the others; more famous, and much, much older.


In 1840, when Peterborough was still in its infancy, a woman was accused of witchcraft. When she was found guilty, the townspeople dragged her to the top of Armour Hill. They bound her to a stake. The lit her on fire. She died less than 100km from what would become the site of the lift lock, and she has never left that spot. She has been seen in the forests, on the twisting trails, and even down at the lift lock, seeking light and sound and warmth.


She was the beginning. And from my fist steps through the tunnel under the lock, seeing the forest at Armour Hill open up before me, I have been obsessed with her.


She fascinates me.


 2014-05-24 10.26.23


The Witches of Armour Hill was born of that fascination. It is the story of that witch, Marion, who loved Peterborough as much as I do, and who was betrayed by its people. It is the story of her daughters and descendants, all the witches they couldn’t burn, taking the city back. It is the story of the magic that floods the forest, that even I could feel.




“Margaret May Reis knows how strange she is; people have been telling her for years. At sixteen years old, though, Maggie begins to realize that strangeness is only half the story. Maggie isn’t just strange – she’s a witch.

Sent to live with a cousin she’s never met, in a city she doesn’t remember, Maggie is sure that life as she knows it is over. It doesn’t take her long to learn that Peterborough is not at all what it seems. Her first week in the city, Maggie meets a stray cat named Elowen, who seems to appear out of thin air, and a strange girl named Rhosyn, who introduces her to a coven of witches, and assures her that life will never be the same.

The newest member of an ancient coven, Maggie discovers new friends, new powers, and a new lease on life. As she works with her young sisters to hone their magical skills, they stumble across the coven’s darkest secret, one that their governing council has kept hidden for over a century. Caught up in a conspiracy that began with the very first generations of witches, Maggie and her friends tumble down the rabbit hole, reaching blindly for the truth.

It will take three young witches to uncover the secrets that their Matriarch left behind over a century before.”


Switch is the first installment in The Witches of Armour Hill series. It’s currently available as an ebook on Amazon – paperback edition coming soon.


The second installment, Twisted, is currently in the works. Look for updates and excerpts on any of the pages below!





Alyssa Cooper is a Canadian writer with a graphic design diploma and a passion for story telling. She collects old books and antique typewriters, and has a preference for the darker side of fiction.

Alyssa is the author of three traditionally published books, Salvation, Benjamin, and Cold Breath of Life, as well as an independently produced collection called Whispers, and her first self-published novel, The Witches of Armour Hill: Switch.

She’s currently living in Kingston, Ontario with her cats, her cacti, and her personal library, while she works diligently on The Witches of Armour Hill, Book Two: Twisted.

Guest Post: Kris Baker Dersch


Kris Baker Dersch

A writer friend of mine was helping me edit a short story for a competition recently, and I mentioned to her how long it had been since I had entered a contest or submitted a story.  She just looked at me and said, “I never have.”

She has a B.A. in creative writing and is talented, capable, and produces quality work.  Not only has she never submitted, but the idea completely terrifies her.  I thought I was the only one.

I had no trouble submitting when I first decided to become a writer.  I was maybe nine years old and had been writing stories for a few years.  I told everyone that I wanted to be a writer.  I wrote a story I liked and sent it to a few publishers.  I got nice form rejection letters back from them that my mother saved.  I was undeterred.

A year or so later, after doing some research, I discovered the whole idea of querying.  How wonderful to not even have to send the whole manuscript!  I started querying for a book I hadn’t even written yet.  My query letters started with “I have written a short book.”  It wasn’t close to true or close to the right way to query.  I got more preprinted postcards back from publishers.

At thirteen, I had a short story published in the local newspaper, which occasionally printed fiction by kids (it was a simpler time.)  I got lots of nice compliments on it, but it also made me nervous.  This whole idea of getting published…it meant someone was actually reading what I wrote.  I think that’s when I stopped submitting.

I didn’t stop writing.  Like a lot of writers, I could never shake the bug, so in the decades since that time I’ve written a lot and published very little.  I always figured I would get published…someday.  I’m running out of somedays.

This spring, something made me take the leap, so I launched a short fiction podcast.  I now record some of my own work plus a lot of work by other writers, and send it out into the world.  It has been exhilarating.  And terrifying.

The first time I hit publish and sent my words out to Internet-land, I was terrified.

The first time I sent out a call for submissions and asked other writers to trust me with their words, I was terrified.

The first time I asked my friends and family and social network to listen to the show, I was terrified.  Also the second time.  And the third.  Turns out people don’t listen very well and you have to ask them more than once.

I now have five episodes of the podcast out and am working on a sixth.  I have contributors lined up and episodes planned for at least seven episodes after that and am reading more submissions every day.  I took the leap and spent some of my hard-earned money on a nice mic so I can really do this right.  We even have listeners.  It turns out that while completely terrifying, starting a podcast and becoming an editor were totally doable and really not all that hard once I got past my own fear.  And, as is usually true, stepping outside my comfort zone helped me learn a lot.

I’ve learned that there is a need for community among writers.

I’ve learned that everyone is scared.

I’ve learned that sharing your work is worth it.

I’ve learned I’m not the only writer with good work in a drawer waiting to be shared.
Every day, I learn to be a better writer, a better reader, and a better editor.

There are a lot of voices out there.  It’s a crowded marketplace.  There are a million author blogs, books, and literary websites.  Does the world really need yours?  Google “start a literary journal” or “start a blog,” and you’ll get some good advice, some terrible advice, and a lot of people telling you what’s the point, there’s too much out there, do you really have something unique to say?

Well, nine-year-old me didn’t have a lot that was original to say, but she submitted her little behind off because she hadn’t yet learned to be afraid.  And I’ve waited way too long to try to get her confidence back.  After all, I have just one voice.  Mine.

This 1920s quote from author John A. Shedd informs my writing a lot: “A ship in the harbor is safe.  But that’s not what ships were built for.”  Where does your writing belong?  Where it’s safe?

I know.  The answer is terrifying.

Kris Baker Dersch is a full-time mom and freelance writer living just outside of Seattle, WA.  She produces and edits the flash fiction podcast No Extra Words and is working on a novel.  Follow her adventures in writing and editing at, and get the podcast on iTunes at or find out more and submit your story at

Guest Post: Alexandrea Weis



Title: Rival Seduction
Author: Alexandrea Weis
Series: Cover to Cover
Release Date: Septemer 14th, 2015
Strong willed, independent, and
competitive as hell, Heather Phillips isn’t going to let anyone beat her in the
show ring … that is until Grant Crowley started taking away her blue ribbons. A
wealthy cattle rancher with an attitude and taste for beautiful women, Grant is
the only person who ever made Heather feel second best. Yet she is determined
to beat him, no matter the cost. When an accident brings the two rivals
together, their heated dislike has to be put on hold. Outside of the show ring,
they slowly get to know each other. But what happens when these passionate
competitors discover a different kind of spark? Will Heather use what she
learns about Grant to take advantage of him in the ring, so she can be number


Winning can mean everything until
something sexier comes along.   


Alexandrea Weis is an advanced practice
registered nurse who was born and raised in New Orleans. Having been brought up
in the motion picture industry, she learned
 to tell stories from a different
perspective and began writing at the age of eight. Infusing the rich tapestry
of her hometown into her award-winning novels, she believes that creating vivid
characters makes a story memorable. A permitted/certified wildlife rehabber
with the Louisiana Wildlife and Fisheries, Weis rescues orphaned and injured


She lives with her husband and pets in
New Orleans.


Amazon Matchbook Offer for Kindle (nice surprise)



Matchbook New Amazon, Kindle, and Fire and all related logos are trademarks of, Inc. or its affiliates.


After I purchased some print books today on Amazon, I found a nice surprise.

At the top of the next page was a large Matchbook offer, large enough to include the thumbnail of one of the books and a message.

It informed me that since I had purchased the print edition, I could add the Kindle edition for $1.99.

This way, the Matchbook offers are getting a little exposure.

They are slightly easier to spot on the product page than they once were, yet they still aren’t too visible there.

But after you buy the print book, now the Matchbook offer is highly visible.


The Amazon Kindle Matchbook program allows publishers to offer the Kindle edition at a discounted price to customers who have already purchased the print edition.


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Guest Post: LP Hernandez



The Invitation


I don’t know why I believed the man.  There was nothing in his speech or dress that indicated credibility beyond what you might expect from any stranger.  As I think about it now there were, perhaps, a few indicators.

He spoke closely, practically in my ear, as if we were old friends.  Or as if he wanted no one else to hear.  I can picture him wiping his hand along the seam of his pants before he reached for mine to shake it the first time.  Each word he spoke was plucked like the petal of a flower from some master script he’d developed over time.  Each word was perfect.

I encountered him a second time and a third.  By the fourth time it was me reaching to shake his hand, and I did so with a smile on my face.  It must have killed him.

Within a month I agreed to watch a football game at his house, though it was nearer to a mansion.  He was knowledgeable about the team and its history.  It all felt quite natural.

“Jake, is it okay if I call you that?” he said.

“Sure.  No one calls me Jacob except my mom anyway.”

“I’m having this thing next week.  If I were a pretentious man I would call it a dinner party.  It’s one of those things I never thought I would have to do in life that has become a sadly regular occurrence.  I would appreciate if I could have someone normal there.”

I recognized the decades between us for the first time in the moment of silence that followed the invitation.  His gray roots were coming through.  He reminded me of my father, a man with whom I had irregular contact.  Maybe that connection inspired me to accept without questioning the previous weeks in our new and quickly evolving friendship.

“Of course,” I said, flashing teeth, and turned my attention back to the game.



My memory of the evening is fuzzy, spotty for lack of a better word.  I was unconscious for hours by my best guess.  I do recall meeting him at the door and being directed to an upstairs bedroom.  I found a tuxedo on the bed next to an open bottle of beer chilling in a bucket of ice.

I had never worn a tuxedo before and he may have guessed this about me because the bowtie was a clip-on.  I sipped the beer as I undressed.  There was music coming from downstairs but no conversation.  I had not been in that room before and, in fact, had seen very little of the house beyond the living room and kitchen.  Likely a second or third guest bedroom, it was still larger and more extravagantly furnished than my master bedroom.  I was not intimidated by his money because of our friendship, brief though it may have been. I did not know if I would feel the same around his friends.

I sat on the bed and looked at my new shoes, glossy even in the dim light of a single lamp.  I stared, thinking of anecdotes I might need to recall.  I murmured a joke for practice and then pitched forward to the floor, the empty bottle of beer still clutched in my hand.


I cannot describe what it felt like inside my head when I opened my eyes.  Pain registered in my brain, but I could not determine the source.  It was like the memory of trauma rather than something new.  I blinked and tried to reclaim my senses, deciding to fixate on the muffled music.  The rhythm of the song was familiar, distantly so.

There was another sound on top of the music, repetitive; my ears couldn’t make sense of it.  In many ways it was very much like being underwater.  Time no longer mattered.

I was looking at soup in a porcelain bowl.  The music was a song, Bob Dylan’s son’s band.  The lyrics floated inside my head, competing for attention amidst the muffled chaos.

“Jake, are you awake?”

That sentence was the repetitive sound I had heard resting on top of the music.  I pulled my head up in the direction of the voice.  He rose from his position at the head of the table, dabbing the corners of his mouth with a napkin and smoothing the wrinkles in his tuxedo.  Soon, he was beside me, his arm draped across my shoulders.

“Jake, this is a dinner party.  Please eat with your right hand.  Keep your left in your lap out of sight.”

There was something in his voice on the verge of disappointment.  How long had I been sitting there staring at my soup?  How embarrassed must he feel to have invited me?

I nodded my head and hoisted my arm onto the table, fumbling numbly for the spoon to the right of the assemblage of forks.  It took a full minute to summon the dexterity necessary to secure the spoon between my thumb and forefinger.  A minute later I cursed myself as half of my hand submerged in the soup in my stone-fisted attempts to feed myself.

The broth ran along the inside of my sleeve to my elbow.  My head drooped beneath the weight of his judgment.


The evening and, presumably, night played out in similar fashion.  I implored my right hand to behave and it rebelled at every turn.  I fingered the mashed potatoes.  I flicked asparagus across the table.  Every few minutes he would leave his seat, dabbing the corners of his mouth, and whisper in my ear.  A suggestion.  A velvety admonishment that gave me hope, until the next faux pas.

The pain was more acute as the evening progressed.  It was in my lap, unseen.  The 90s rock song still played on a loop.  I passed in and out of wakefulness, often times not recognizing that I had fallen asleep until the tip of my nose touched gravy.  Upon rousing I would smile and nod to various points of the room.

I saw not faces but smudges in evening wear.  I bit my tongue and blood flooded my mouth.  As I peeled my head off of the tablecloth I realized I had not bitten my tongue.  I had been punched just above my jawline.

“You’re a fucking disgrace,” was whispered in my ear.

My head was lifted by the hair and slammed back onto the table.  The cartilage in my nose crunched and fresh streams of blood issued from my nostrils and coursed down my throat.  I swallowed and passed out.

I was probably gone for less than five minutes.  There was a female voice in my ear, whispering so quickly I only caught snippets.

“…you owe us twenty-one years.  This is only the beginning.”

“Help,” I said, blood bubbling on my lips.

I felt pressure on my left side as someone braced me.  Something hard, likely a baseball bat, broke my ribs.  I was unable to scream.  I passed out again.

“Now, Jake, when the host calls for the toast you will lift your wine glass with your right hand, drink all of its contents, then proceed on to the desert.”

I nodded my head, crusted gravy flaking off of my nose and cheeks, blood spilling from the corners of my mouth.

The toast came soon after and I obeyed his directive as well as I could manage.  I spilled a bit of wine initially, but managed to drink most of it.  I reached for the small fork to the left of the cake and found that I had misjudged the distance.  I reached again and failed once more.  I licked coppery grit from the roof of my mouth, eyeing the empty wine glass as waves of unnatural warmth radiated from my chest.

I peeled back the sleeve of my tuxedo coat and saw two crossed lines of stiches at the end of my left wrist.  I laid my head on the table, no longer able to support the weight.  I opened my eyes one last time before submitting to darkness.  There was a half-moon of a thumbnail protruding from the cake, and a bit of pink flesh.  My mother had always hated that I kept my nails long…


Part II is available in Dreadful: Tales of the Dead and Dying by LP Hernandez

2015-06-16 16.48.41

LP Hernandez has been writing since he could hold a crayon.  His path in life took him to the military and away from the craft for a while, but it has always been his passion.  His story Gehenna was a finalist in the 2011 Writer’s Digest short story (horror) competition.  That story and ten others can be found in his debut offering Dreadful: Tales of the Dead and Dying.

Promoting your Series: Free vs. 99c


Nicholas C. Rossis

From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books Image:

I was reading Tara Sparling’s interesting post on free books, where she complains about authors pricing their books too low.

Amazon agrees with her. I believe that’s why they only start offering 70% royalties for books priced at $2.99 and above (under that, royalties are only 30%).

However, a common mistake for first-time authors is to price their work too high. Sure, you can ask for the same price as Steven King. But only if you write like him and have an established fan base. Until then, you’ll need to do whatever it takes to fight the obscurity that inevitably befalls us all in a marketplace where 6,500 new books are published daily… and part of that may be a free or 99c book – albeit for a short while and as part of an overall marketing strategy. Or you could do it to gather reviews, as I’ve done with

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Guest Post: Devour Box Set



Books One – Three of the Devour Series by New York Times
Bestselling Author Shelly Crane. Eli comes to town and shakes up Clara’s
perfect little life. He feeds off emotions, but hers are so much more than what
he’s ever felt before. And then all hell breaks loose when his kind, and his
insane brother, find out. A rebellion brews, bonds form with witches and elves,
ready to fight for their mates.


Clara has it all.
A wrestling star boyfriend, popular friends, all the right
school activities…pretty much a perfect life…up until her parents died. Now
she lives with the Pastor and his family and though they take good care of her,
she feels alone. Then her boyfriend, Tate, starts to show signs of trouble when
a new guy, Eli, comes to town.
Clara is fascinated with him, but hides it until something
happens. Eli confesses that she gives him something he’s never had
before…something he needs. He feeds off emotions, but hers are so much more
than what he’s ever felt before. Everything is about to change for this normal,
pretty, popular girl in a supernatural way.
Eli and Clara’s story continues as she tries to finish high
school. Eli is as over protective as ever and Tate and his group of friends are
no help. They wait for the Horde, always looking over their shoulder. But the
ever annoying but strangely prophetic bird begins to become more of a chatter
box and Eli learns something that could change some things. Not just for him
and Clara, but Devourers everywhere. Then an unexpectedness guest comes forcing
Eli to flee with Clara, leaving her temporary family behind. She is thrown into
his world of underground ‘traitors’ and learns much of his past. They meet many
new people and creatures along the way to freedom. But when tragedy strikes the
two, will Clara see the monster in Eli? Can she handle his strange world and
awful past? Will one of them lose their life forever…


Enoch is tested. His brother is human, the thing he hates.
He watches as the brother he knew is stripped away by his love for Clara. He’s
never hated someone as much as he hated her…but the bond forced him to not
only want to protect her, but feel things he never had before. When a girl needs
his help, that split second decision changes his whole world in one instant. A
Devourer’s Fate…



 Shelly is a NEW YORK TIMES & USA TODAY bestselling
author from a small town in Georgia and loves everything about the south. She
is wife to a fantastical husband and stay-at-home mom to two boisterous and
mischievous boys who keep her on her toes. She hoards paperbacks, devours sweet
tea, searches year-round for candy corn, and loves to spend time with her
family and friends, go out to eat at new restaurants, site-see in the new areas
they travel to, listen to music, and, of course, loves to read, but doesn’t
have much time to these days with all the characters filling her head begging
to come out. She is author to over twenty books and counting!

Her own books happen by accident and she revels in the
writing and imagination process. She doesn’t go anywhere without her notepad
for fear of an idea creeping up and not being able to write it down
immediately, even in the middle of the night, where her best ideas are born.



KU pages read stats – a new obsession


Suffolk Scribblings

reading-over-shoulder image source:

When Amazon announced they were changing their Kindle Unlimited payment scheme from ‘flat rate per loan’ to a payment for each page read there was a lot of debate about its impact on publishing. One thing missed, however, was its impact on authors themselves, specifically being able to ‘see’ people read your work.

When Amazon KDP launched their new scheme they also launched a report allowing authors to see how many page reads were captured per day, and like KDP’s other reports, this one is updated on a regular (hourly?) basis. For many authors, especially those selling at reasonable volumes, the report will show the thousands or tens of thousands of pages read per day in a steady stream. For those of us with more modest sales, the experience is very different.

It took a couple of days before I received my first KU download under the new system. I’d seen the sales…

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Guest Post: YOU!



As anyone who knows me knows, I enjoy helping other authors. I love having guest posts from authors I know and authors I don’t know (which technically covers everyone, I guess)

For the next couple of months I will gladly run a guest post from any author who is interested in promoting themselves…

what I need from you:

1. 500-1,000 word guest post. Subject? Up to you. Not really interested in a ‘buy my book’ post. Make it interesting. It can be about your book, or about a subject you like, or anything… just make it interesting. 

2. Make sure you add a bio and links to the end of the post, too. 

3. Attach an author pic and a book cover (if applicable) to the e-mail, but please NOT in the post itself. 

4. Send everything in one e-mail to me at 

That’s it. Not hard at all. 


No, Amazon Won’t Tell You The Rules, Nor Should They



Author Imy Santiago rcently wrote a blog post about her experiences with Amazon deleting reviews and blocking her from posting more reviews.

She included a screenshot of her conversation with Amazon’s technical support, and I have copied and annotated it below:

Amazon… A virtual marketplace  or Big Brother    imy santiago

The portion that I have outlined in red seems to be upsetting people, and I can feel a certain degree of sympathy.  The question that people are asking is, “How are we supposed to follow the rules when Amazon won’t tell us what they are?”

That’s a good question, granted.  But Amazon can’t tell you the rules.

The algorithms used to flag and remove suspect reviews are a fraud countermeasure and the first rule of fraud countermeasures is that you don’t talk about fraud countermeasures.

There are two approaches to loss prevention in a business–the first is to make it hard to steal from you and the second is to…

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Book Marketing Magic: What You Can Learn from Amazon



Image from ShutterStock. Image from ShutterStock.


It would be hard to find anybody who can sell books better than Amazon.

At first, this seems like a great benefit of self-publishing. Just throw your book on Amazon, and the word’s greatest bookseller will sell your book for you, right?

Too bad it doesn’t work that way. Even though you may have heard others speak of book marketing, you stubbornly cling to the hope that you won’t need to learn it.

You just have to see for yourself to realize that you need to market your book.

And then book marketing seems like magic. Only you can’t find the right magic words. Or if you do, apparently you don’t pronounce them quite right. When you try using smoke, mirrors, and sleight of hand, it just doesn’t work the way it’s supposed to.

But it’s not really magic. You want easy and instant…

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Guest Jay Wilburn – Writing What Speaks to You


Jay Wilburn Guest Post

Life With Words

“Writing What Speaks to You”

by Jay Wilburn

We’re supposed to write what we know. All my stories would be about being a teacher, stocking shelves at a Wal-Mart, cooking at Waffle House, or watching Internet porn. I’d have no alien or zombie stories unless it was about a teacher being abducted or eaten. In most of my teacher stories, the principal ends up dying. I’m sure there is nothing to that though.

To be fair, that advice mainly refers to using what you know to fill out the believable sections of your story to make the extraordinary seem more grounded. It means to not overlook the stuff you do know as good pieces for story. If you live in a small, Southern town, consider writing your hardboiled crime novel set there instead of a more traditional city setting you’ve never visited. If you don’t know anything about police procedure…

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Authors Galore at Scares That Care Weekend


Scares That Care Weekend and Hunter Shea #horror #con

Hunter Shea

I used to go to the Horrorfind convention in Gettysburg, PA every year because it was the one con jam packed with authors. Most years, the number of authors outnumbered the celebrity guests, which was just fine by me. I’d load up with signed books and have my TBR pile set for months. And I wasn’t alone. Throngs of people came to see their favorite writers, year after year.

Then Horrorfind bit the dust.

But since this is the horror genre, it rose from the dead, only with a new name and location. I attended the Scares That Care Weekend last year in Williamsburg, VA and totally felt the Horrorfind vibe. I met a ton of people who actually like to read horror, not just watch it and collect signed headshots. So it was a no brainer to go again. The fun starts on July 24th and goes all through…

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Guest Post: Loren Rhoads


DangerousType cover lo-res

Twenty years ago, Imperial assassin Raena Zacari was court-martialed, entombed alive, and left for dead.  While she was imprisoned, the human empire she served unleashed a genocidal plague that wiped out the Templars.  In retaliation, the other peoples of the galaxy banded together to obliterate the Empire. The Human-Templar War is over finally, but humanity remains scattered and reviled.


Gavin Sloane has been hunting desperately for Raena since he lost her after a failed rescue attempt during the War.  He’s sunken to robbing Templar tombs as a way to fund his search. He never was a nice man. Looking for Raena has driven him over the edge.


Raena’s adopted sister Ariel Shaad made a fortune smuggling guns to the human-and-alien Coalition during the War.  She sent Gavin on his mad quest to find Raena in the first place.  She would do anything to help her sister, but money can’t make everything right.


Once Raena is freed, the insane war criminal who enslaved her and trained her to kill wants her back. Jonan Thallian is willing to risk everything – including his army of cloned sons – to bring her back under his control. Now it’s a race to see who kills whom first.


The Dangerous Type mixes action SF with adventurous space opera that grabs you from the first pages and doesn’t let go. Along with a supporting cast of smugglers, black market doctors, and other ne’er-do-wells sprawled across a galaxy brimming with alien life, The Dangerous Type has been described as La Femme Nikita meets Firefly.


The Dangerous Type is only the first book in Loren Rhoads’s epic trilogy, which continues with Kill By Numbers and No More Heroes.  All three books will be published by Night Shade in 2015.


An excerpt from Chapter 1:


Most of the tombs they’d entered had warehoused whole companies of bugs, the dead warriors of a single starship buried together.  Kavanaugh played his light around the inside this cavern but found only a single catafalque, an uncarved slab of obsidian in the rough center of the room.  Whoever lay atop it must be important, he thought.  Shouldn’t take too long to loot one body.  Maybe there would actually be something worth stealing this time.


Kavanaugh peeled off his face shield and lifted the flask, sucking down the last half of its contents as the men converged on the catafalque. “What’s a human girl doing in here?” Taki asked.


Curcovic teased, “Maybe you can wake her with a kiss.”


“ ’Cept for the dust,” Lim commented.


“Well, yeah, ’cept for the dust, Lim.  Damn, man, don’t you have any imagination?”


“Just what did you have in mind?” Lim asked skeptically.


“Are you sure she’s human?” Kavanaugh asked as he slipped the flask back inside his coat.


“I think she’s just a kid,” Curcovic added.  “No armor.  You think she was somebody important’s kid?”


“She’s the best thing I’ve seen on this rock so far,” Taki pointed out.  His hand wiped some of the dust from her chest.


Kavanaugh was crossing the uneven floor to join them when a low female voice said clearly, “No.”


Curcovic stumbled backward, dropping his torch and fumbling at the gun at his hip.  The corpse sat up, straight-arming her fist into Taki’s face.  Stunned, he cracked his head on the stone floor when he went down. He lay still at the foot of the catafalque.


Lim backed away, light trained on the figure rising in the middle of the tomb.  It was hard for Kavanaugh to make her out in the unsteady light:  a slip of a girl dressed in gray with a cloak of dusty black hair that fell past her knees.


Curcovic finally succeeded in drawing his gun.  The girl darted sideways faster than Kavanaugh could follow in the half-light.  A red bolt flashed out, blinding in the darkness.  Lim collapsed to the floor, cursing Curcovic.


The girl rounded on Curcovic, turning a one-handed cartwheel that left her in range to kick the gun from his hand.  She twisted around, nearly too quick to see, and cracked her fist hard into his chest.  Curcovic fell as if poleaxed.  Lim groaned from the floor, hands clasped over his belly.


None of the men were dead yet, Kavanaugh noticed.  She could have killed them as if they’d been standing still, but she’d disabled them instead.  He suspected that was because they posed no real threat to her.  Maybe she needed them alive.  He hoped that was true.


Cold sweat ran into Kavanaugh’s eyes.  He held the flask in his gun hand.  He’d have to drop it to draw his weapon.  If the noise caught her attention, he’d be headed for the ground before his gun barrel cleared his holster.

Loren Rhoads photo

Loren Rhoads is the author of The Dangerous Type, Kill By Numbers, and No More Heroes, the In the Wake of the Templars trilogy.  She’s the co-author of As Above, So Below with Brian Thomas. She authored Wish You Were Here: Adventures in Cemetery Travels and edited The Haunted Mansion Project: Year Two and Morbid Curiosity Cures the Blues. She’s been an active member of the Horror Writers Association since 2001.


The book’s home page:



Loren on Facebook:

Loren on Twitter:

Loren’s blog:

Myths about the new Kindle Unlimited Pages Read Policy


Myths About Kindle Unlimited


Image from ShutterStock. Image from ShutterStock.


First we had the Information Age. It was quickly followed by the Misinformation Age.

Here are some common myths about the change in Kindle Unlimited policy regarding pages read.

Authors of Kindle books now earn royalties based on the number of pages read.

Read that carefully. Can you spot the mistake? There is indeed a mistake. An important one.

Yet, much of the media has made this same mistake.

What’s wrong? An important clarification.

  • Royalties for sales are completely unaffected. Authors earn their usual royalties for sales, which does not depend on how much of the book is read.
  • Only royalties for borrows through Kindle Unlimited (and Amazon Prime) are affected by the change. Therefore, this only affects authors who enroll their books in KDP Select. Only 1 million of over 3 million Kindle books are affected by this change in policy (and even…

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Reblog: Armand Rosamilia Interview with Rudes review



Armand Rosamilia, author of the Dying Days zombie series, is interviewed:

Why Amazon deleting reviews is a price worth paying


Amazon Review Deletions

Suffolk Scribblings


Amazon is currently cracking down on what it sees as inaccurate or reciprocal reviews and it appears, at least from recent posts I’ve read, a number of authors have been affected. Amazon are using an algorithm to identify what they term as suspect reviewing patterns, as well as identify reviewers who they believe know each other, and blocking those reviews. Once blocked, because Amazon believe the reviews broke their reviewing terms and conditions, the reviewer can no longer leave any  future reviews. When challenged, Amazon have generally given automated responses along the lines of ‘we trust our algorithms and you have no right of appeal.’

Before I go any further, I want to make it clear I have every sympathy with the individuals concerned. Writing just one thoughtful book review takes time and effort, to do it over and over again is a considerable commitment. To be told, out of the blue, that everything you’ve written will be stripped from…

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